Sifa Lyrics

Manukato - Umeweka Wimbo Kinywani Mwangu by Fanuel Sedekia cover art

Fanuel Sedekia - Manukato - Umeweka Wimbo Kinywani Mwangu Lyrics

Artist:
Fanuel Sedekia
Album:
Manukato
Official Release:
30 Apr 2013

Lyrics

Verse 1


Umeweka wimbo kinywani mwangu

Bwana niimbe sifa zako

Umeniumba ili nikuabudu

Nakuabudu nakuabudu


Chorus


Wewe uketiye juu ya vyote

Sifa hizi zifike kitini pako

Wimbo huu ukawe manukato


(x2)


Verse 2


Wewe ni Niko ambaye niko

Milele hilo ita, na milele ijayo

Sioni cha kunishibisha moyo wangu

Badala ya kukuabudu mtakatifu


Chorus


Wewe uketiye juu ya vyote

Sifa hizi zifike kitini pako

Wimbo huu ukawe manukato


(x2)


Bridge


Manukato (Manukato)

Kama sadaka ya Abeli (Manukato)

Kama zaburi ya Daudi (manukato)


(x2)


Outro


Manukato manukato manukato (manukato)

Haleluya Haleluya Haleluyaa (manukato)

Nakupenda Bwana wimbo huu ukawe (Manukato)


Credits & Song Information

Original Artist
Fanuel Sedekia
Source verified · Apple Music
Release Date
2013-04-30
Source verified · Apple Music

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Meaning & Inspiration

Fanuel Sedekia’s “Manukato - Umeweka Wimbo Kinywani Mwangu” centers on worship as an offering that rises to God’s throne. The opening lines describe a song placed directly into the mouth by God, framing praise not as human invention but as a response to divine initiative. Being created for the purpose of adoration gives the entire song a sense of design rather than spontaneous sentiment.

The chorus asks that these praises become “manukato,” the Swahili word for incense. That image quietly echoes Psalm 141:2, where prayer is compared to incense offered before the Lord. The lyrics picture worship moving upward to the one seated above all things, a throne-room orientation that gives the song its vertical focus.

The second verse names God as “Niko ambaye niko,” reminiscent of the “I AM” statement from Exodus. That eternal identity grounds the worship: there is nothing else that can truly satisfy the heart. The bridge places this song alongside the sacrifice of Abel and the psalms of David, connecting personal praise to a larger biblical history of acceptable offerings before God. The repeated “Haleluya” turns the close into an act of adoration itself.