Healing Worship Team - Mbali Na Kelele Lyrics

Lyrics

Intro 

Iweke roho yangu kando ya maji ya utulivu baba yooh


Nipeleke mbali na kelele 

Nipeleke mbali na kelele Baba 

Nipeleke mbali na kelele 

Nipeleke mbali na kelele Baba 


Vita vya muovu mimi siwezi pekee 

Nahitaji musaada kwako Baba 

Vita vya muovu mimi siwezi pekee 

Nahitaji musaada kwako Baba 


Kelele za magonjwa 

Kelele za maneno 

Eh Baba sikia ombi langu niepushe 

Kelele za ujanja kelele za fitina 

Eh Baba sikia ombi langu niepushe 


Uiweke roho yangu kando ya maji 

Ya utulivu nikuchezee 

Uiweke roho yangu kando ya maji 

Ya utulivu ili nikuimbie 

Uiweke roho yangu kando ya maji 

Ya utulivu nikuabudu 

Uiweke roho yangu kando ya maji 

Ya utulivu ili nikuimbie


Uiweke roho yangu kando ya maji 

Ya utulivu nikuabudu

Uiweke roho yangu kando ya maji 

Ya utulivu ili nikuabudu 

Uiweke roho yangu kando ya maji 

Ya utulivu nikusifu 


Kelele za magonjwa 

Kelele za maneno 

Eh Baba sikia ombi langu niepushe 

Kelele za ujanja kelele za fitina 

Eh Baba sikia ombi langu niepushe 

...

Video

Mbali Na Kelele - Healing Worship Team (Official Video)

Thumbnail for Mbali Na Kelele video

Meaning & Inspiration

The request to be taken "mbali na kelele"—far from the noise—is often treated as a plea for a quiet retreat or a mental break. But when the Healing Worship Team sings this, we must move past the idea of silence as a mere aesthetic preference. The lyrics identify the noise as specific: sickness, gossip, deceit, and schemes. These aren’t just annoying distractions; they are the debris of a fallen world pressing against the Imago Dei.

When the singers cry out, "Vita vya muovu mimi siwezi pekee" (I cannot fight the battles of the evil one alone), they are confessing a theological reality that many modern songs glide over: the insufficiency of the human will. We like to imagine we are masters of our own focus, but the doctrine of total depravity—and our subsequent weakness—remains a stubborn fact. To admit we cannot fight these spiritual skirmishes solo is to acknowledge that we are not the protagonists of our own redemption. We are needy dependents.

There is a weight to the petition to be led "kando ya maji ya utulivu" (beside the still waters). It echoes Psalm 23, but it does so with a sense of urgency that demands more than comfort. In Scripture, the shepherd leads the sheep to still waters not for their recreation, but for their restoration. When the song asks for this movement, it is asking for an act of divine intervention—the Sovereign Shepherd physically relocating the soul from the chaos of gossip and illness to the place where He provides life.

The danger in a song like this is that it might be reduced to a sentimental mood-setter. If we treat "still waters" as a way to avoid the reality of our current struggles, we lose the point. The prayer is not to be removed from the world, but to have our souls anchored while the storm—the kelele—rages on. It’s an ask for the "peace that surpasses understanding," a grace that holds the mind steady even when the ears are bombarded by "maneno" (words) and "fitina" (intrigue).

If I have one reservation, it’s that the lyrics focus heavily on the removal of noise without fully dwelling on the nature of the God who is found in that stillness. Yes, we need the quiet, but the quiet is only a means to an end—to worship and to sing. We are not just running away from the noise; we are running toward the only One whose voice carries the weight of Truth. The song leaves us in the right position—by the water—but the soul’s hunger must remain for the Shepherd himself, not just the absence of the clamor. If the noise stops but we don't find Him, the silence is just another form of emptiness.

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