Marggie Dawn - Hossana Lyrics

Lyrics

Hosanna hosanna tumwimbie hosanna Hosanna hosanna Halleluyah Hosanna

Hosanna Hosanna tumwimbie hosanna Hosanna Hosanna Halleluyah Hosanna Hosanna hosanna tumwimbie hosanna Hosanna hosanna Halleluyah Hosanna

Makerubi na maserafi wakwimbia Hosanna Wainama mbele zako wakiimba Hosanna Makerubi na maserafi wakwimbia Hosanna Wainama mbele zako wakiimba Hosanna

Hosanna Hosanna tumwimbie Hosanna Hosanna Hosanna Halleluyah Hosanna Hosanna Hosanna tumwimbie Hosanna Hosanna Hosanna Halleluyah Hosanna

Wazee ishirini na wanne wainama mbele zako Wakisema mtakatifu mtakatifu ni wewe tu Wakisema unastahili kupokea sifa Utukufu na nguvu na uweza wote

Hosanna Hosanna tumwimbie Hosanna Hosanna Hosanna Halleluyah Hosanna Hosanna Hosanna tumwimbie Hosanna Hosanna Hosanna Halleluyah Hosanna

Video

Hossana By Marggie Dawn

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Meaning & Inspiration

I’m still shaking the dust off my coat from the last place I shouldn't have been. My hands are rough, and honestly, the air in here still feels a little too thin for someone like me. I’m used to the smell of regret, not the incense of a throne room.

Listening to Marggie Dawn’s Hosanna, I find myself snagged on the line about the twenty-four elders bowing down: “Wazee ishirini na wanne wainama mbele zako... Wakisema mtakatifu mtakatifu ni wewe tu.”

It’s heavy. It hits different when you’ve spent your life acting like you’re the center of your own universe. We spend so much time building our own little pedestals, trying to be the ones getting the praise, and then you hear this—the ones who have actually seen the face of God, the ones who know exactly how vast and terrifying and beautiful He is—they aren't standing tall. They’re face down.

When you’ve lived the way I have, you think "holy" means "stay away." You think holiness is a fence built to keep the filth out. But then you listen to these words, and you realize that if the angels and the elders—who are closer to the fire than I’ll ever be—are bowing, then maybe holiness isn't a fence. Maybe it’s a gravity. It pulls everything toward the center. It’s the only place where a wrecked life like mine can actually find footing.

I don't know if I'm "ready" for this kind of worship. My theology is a mess, and my past is a ledger of bad debts. But there’s something about the repetition in this track, the way it just keeps circling back to Hosanna, that feels like a lifeline. It’s like being in the mud and finally deciding to look up. You don't need a sermon; you just need to scream for rescue.

“Wainama mbele zako wakiimba Hosanna.” They are bowing. They are singing. They aren't worried about their credentials or whether they’ve had a "good week." They’re just acknowledging the Source.

I’m sitting here, still smelling like the pigpen, realizing that I’m invited to the same song. I don’t have to wash up first. I don’t have to get my act together to join the chorus. The scandal of it—the sheer, unearned audacity of being allowed to utter the same word as the seraphim—it ruins me. It makes the rest of the world seem quiet and small. I don't know where I'm going from here, or if I’ll stumble again tomorrow, but for these few minutes, the only thing that makes sense is to just bow. Even if I don't know how to do it right. Even if I'm still covered in the mess of the road. He’s there. And He’s enough.

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