Kirk Franklin - Revolution Lyrics
Lyrics
The Book of Revelations Chapter 7:Verses 16 and 17 They shall hunger no more, neither shall they thirst anymore (preach preacher!) And God shall wipe away every tear from the eye Get ready for the revolution
CHORUS: Whoaaaa-o-o-oooooo-ohhhhh Do you want a revolution? Whoop Whoop! I said, Do you want a Revolution? Whoop Whoop Whoaaaaa-o-o-Whoaaaa-ohhh-ohhh Do you want a revolution? Whoop Whoop Come on, do you want a revolution? Whoop Whoop!
Sick and tired of my brothers, killin' each other, Sick and tired of Daddys leavin' babies with their mothers, For every man who wants to lay around and play around, It's important you be man enough to stay around Sick and tired of the Church, talkin' religion But then they talk about each other, make a decision No more racisim, two face-ism No pollution the solution a revolution
Chorus
No crime, No dying Politians lying, Everybody's trying to make at dollar, it makes me wanna holler The way I do my life, the way they do my life There's gonna be a brighter day All your troubles will pass away A revolution's comin', yes its comin' comin' brother A revolution's comin', yes it's comin' A revolution's comin' comin'
Chorus
What you feelin', what you want, son? Who you callin' to, son? You know Jesus is the truth, son? The second in the Trinity Yeah I know you feelin' him 500 days left, until the new millenium You hearin' him, the trumpet sounds Christ, the last, the first, the first, the last, it won't pass so don't be caught slippin', don't be trippin' brother 'cause when I see him, I'm givin it, come on
Even when we go they say we move too much, we do too much, if you step against us, then you lose too much ain't no stoppin' what we doin' when the spirit is movin' don't be hatin' what we doin' I'm the vessel he's usin' everywhere I be they try to judge me, they try to shake me they try to budge me but they can't break me 'cause I'm down with Christ DarkChild and Nu Nation make ya feel alright
Where my east coast saints at? Whoop Whoop! Where my west coast saints at? Whoop Whoop! Where my Detroit saints at? Whoop Whoop! Where my Dallas saints at? Whoop Whoop! Where my Chi Town saints at? Whoop Whoop! Where my A-T-L saints at? Whoop Whoop! Where my Jersey saints at? Whoop Whoop! Where all my towns saints at? Whoop Whoop!
Put your hands up! Oh, they got their hands up! (4x)
Where my DC saints at? Whoop Whoop! Where my Nashville saints at? Whoop Whoop! Where my Newsville saints at? Whoop Whoop! Where my Philly saints at? Whoop Whoop! Where my Denver saints at? Whoop Whoop! Where my Charlotte saints at? Whoop Whoop! Where my Tampa saints at? Whoop Whoop! Where my Fort Worth saints at? Whoop Whoop!
Put your hands up! Oh, they got their hands up! (4x)
Chorus untill end
Video
Kirk Franklin - Revolution
Meaning & Inspiration
Kirk Franklin’s powerful anthem, "Revolution," released on October 18, 2012, emerges not merely as a song, but as a prophetic declaration and a rallying cry for spiritual and societal transformation. From its very opening, the track immerses us in the profound vision of God’s ultimate restoration, beginning with a direct quotation from Revelation 7:16-17: "They shall hunger no more, neither shall they thirst anymore... And God shall wipe away every tear from the eye." This scriptural foundation immediately establishes the ultimate goal of the revolution Franklin proclaims – a future free from suffering and sorrow, a promise beautifully echoed in Revelation 21:4, which speaks of a new heaven and new earth where God Himself dwells with humanity, abolishing death, mourning, crying, and pain. It is this divine promise that fuels the urgent call for a revolution, not of political uprising, but of spiritual awakening and righteous living.
The core message of "Revolution" delves into a profound discontent with the status quo, both in the wider world and, tellingly, within the Church itself. Franklin articulates a weariness with the destructive patterns of human behavior: brothers embroiled in conflict, fathers abandoning their foundational roles, and a general malaise of irresponsibility that leaves deep societal scars. He implores men to embrace the commitment and steadfastness commanded by Scripture, reminding us of the importance of faithfulness, as highlighted in Proverbs 28:20, which assures blessings for the faithful. Furthermore, the song pointedly critiques hypocrisy within religious communities, lamenting those who "talk religion but then they talk about each other." This challenge is a direct appeal to the biblical mandate for unity and genuine love within the Body of Christ, resonating with the Apostle Paul’s plea in 1 Corinthians 1:10 for believers to agree with one another and avoid divisions, truly living out the faith they profess. This call extends beyond personal conduct to demand an end to racism, duplicity, and environmental neglect, envisioning a world where justice, honesty, and stewardship are paramount—values deeply rooted in God’s design for creation and humanity's interaction with it, rejecting the divisions condemned in Galatians 3:28.
As the song progresses, Franklin paints a vivid picture of the world’s pervasive struggles: the allure of crime, the pain of mortality, the deceit of political figures, and the relentless pursuit of material wealth that often overshadows spiritual truths. The lament, "Everybody's trying to make a dollar, it makes me wanna holler," serves as a poignant reminder of the tension between worldly ambition and the Kingdom-first mentality taught by Jesus in Matthew 6:33, urging us to seek God’s righteousness above all else. Yet, amidst these disheartening observations, the song remains anchored in unwavering hope, asserting, "There's gonna be a brighter day, All your troubles will pass away." This confident assurance draws directly from the eschatological hope found throughout Scripture, such as in Isaiah 25:8, where God promises to swallow up death forever and wipe away tears from all faces. The revolution, therefore, is not merely a human endeavor; it is a divine appointment, a manifestation of God's sovereign plan unfolding.
The spiritual imperative becomes even more explicit with the declaration, "You know Jesus is the truth, son? The second in the Trinity," unequivocally affirming Christ’s divine identity and His centrality to any true revolution, as powerfully stated in John 14:6: "I am the way and the truth and the life. No one comes to the Father except through me." The song’s original context, referencing "500 days left until the new millennium," reflects a profound sense of anticipation and urgency, echoing biblical calls for watchfulness and preparedness for Christ's return, as seen in Matthew 24:42. The imagery of "the trumpet sounds" and Christ as "the last, the first," evokes the powerful prophecies of the Second Coming and ultimate judgment detailed in passages like 1 Thessalonians 4:16 and Revelation 1:8, serving as a fervent warning to remain vigilant and avoid being "caught slippin'." Franklin also addresses criticism, affirming that the passionate expression of faith, though sometimes misunderstood or judged, is a direct result of the Holy Spirit's movement, making him a humble "vessel He’s usin'." This aligns with 2 Corinthians 4:7, which reminds us that divine power operates through human instruments, and reinforces the unshakeable resilience found in Romans 8:31: "If God is for us, who can be against us?" The song's expansive call to "saints" across various cities – from the East Coast to Dallas, from Detroit to Atlanta – underscores the universal, unifying nature of this spiritual movement. It’s a testament to the global body of believers, united in faith and purpose, demonstrating the powerful unity of the Church described in Ephesians 4:4-6, where there is one body, one Spirit, one hope, one Lord, one faith, and one God and Father of all. "Revolution" is more than a Gospel song; it’s a timeless clarion call for the Church to embody the transformative power of Christ, to live out the Kingdom here on earth, and to anticipate with joy the ultimate revolution ushered in by God Himself.