Elevation Worship + Brandon Lake - Might Get Loud Lyrics
Released: 20 Aug 2021
Lyrics
Excuse me for a minute
But I have got a song to sing
It might not be on key
But it’s from my heart
No one else can tell it
What the Lord has done for me
This might take all day
So I better start right now
And it might get loud
It might get loud
Heaven’s coming down down down
And it might get loud
I don’t have a halo
No I’m not a perfect man
I’m just glad to be a child of God
When I think of where I coulda been
Shoulda been woulda been
if he hadn’t stepped in
I got a praise on the inside that can’t be denied
and I gotta get it out right now
Why can’t I praise him as loud as I want
Video
Might Get Loud (feat. Chris Brown, Brandon Lake, & Tiffany Hudson) | Elevation Worship
Meaning & Inspiration
Elevation Worship's single "Might Get Loud," released on August 20, 2021, as part of the *Might Get Loud* EP, stands as a powerful testament to the uncontainable joy and profound gratitude that erupts from a heart transformed by God's grace. The song, featuring Brandon Lake and Chris Brown, delves into the sincere, unfiltered expression of faith that arises when one contemplates the immensity of God's redemptive work. Its core message is not about polished performance or eloquent articulation, but about the raw, honest overflow of a spirit touched by divine love. The lyrical narrative acknowledges human imperfection, stating, "I don’t have a halo / No I’m not a perfect man," a vulnerability that resonates deeply and underscores the universality of God's acceptance. This humility is the fertile ground from which true praise blossoms, stemming from a recognition of where one might have been apart from God's intervention. The repeated refrain, "And it might get loud," is a declaration of intent, an anticipation of the uninhibited, unrestrained worship that arises when the soul is overcome with the realization of God's goodness and the overwhelming reality of "Heaven's coming down."
The meaning of "Might Get Loud" is intrinsically tied to the biblical concept of praise as a natural and necessary outpouring of a thankful heart. The Scriptures repeatedly call believers to express their gratitude loudly and joyfully. Consider Psalm 33:1-3, which urges, "Rejoice in the Lord, O you righteous! For praise is fitting for the upright. Give thanks to the Lord with the lyre; sing his praises with a harp of ten strings. Sing to him a new song; play skillfully, and sing aloud with a joyful shout." This passage directly mirrors the sentiment of the song, where the desire to sing and express what the Lord has done is paramount, even if the delivery isn't perfect. The lyrics acknowledge this by admitting, "It might not be on key / But it’s from my heart." This emphasizes that authenticity and a genuine connection with God are more valued than vocal precision, aligning with the heart of worship described in John 4:24: "God is spirit, and his worshippers must worship in the Spirit and in truth." The song’s contemplation of God's past actions, "When I think of where I coulda been / Shoulda been woulda been / if he hadn’t stepped in," directly reflects the Apostle Paul's reflections on God's saving power in Romans 5:8: "But God demonstrates his own love for us in this: While we were still sinners, Christ died for us." This deep awareness of past sinfulness contrasted with present salvation fuels an irresistible desire to praise, leading to the declaration, "I got a praise on the inside that can’t be denied / and I gotta get it out right now." This inner compulsion to express God's faithfulness is a theme echoed throughout the Bible, particularly in the Psalms where David often exclaims his overwhelming need to speak of God's wonders (Psalm 9:1). The song’s unapologetic questioning, "Why can’t I praise him as loud as I want?" challenges any notion of restraint in acknowledging God’s greatness, suggesting that a full-throated, even boisterous, expression of praise is not only permissible but fitting when confronted with the magnitude of divine blessing. This echoes the vibrant, communal worship described in the Old Testament, where trumpets, shouts, and music were used to glorify God, and even in the New Testament, with the admonishment to "speak to one another with psalms, hymns and spiritual songs. Sing and make music in your heart to the Lord" (Ephesians 5:19). Ultimately, "Might Get Loud" is an anthem for the redeemed, a celebration of salvation that overflows the confines of quiet reverence into a jubilant, unashamed declaration of God's enduring love and saving power.