Pst Samuel - Baba wa mbinguni nyosha mkono wako Lyrics

Lyrics

Baba wa mbinguni nyosha mkono wako
watu wako waune, wakishauona
walisifu jina lako

Baba wa mbinguni nyosha mkono wako
watu wako waune, wakishauona
walisifu jina lako

Mungu wetu wa mbinguni nyosha mkono wako
watu wako waune, wakishauona
walisifu jina lako

Tunakuinua
Baba wa mayatima nyosha mkono wako
watu wako waune, wakishauona
walisifu jina lako

Tunanyenyekea
Mungu wetu wa mbinguni nyosha mkono wako
watu wako waune, walisifu
walisifu jina lako

Tunakuhitaji
Mungu wetu wa mbinguni nyosha mkono wako
watu wako waune, walisifu
walisifu jina lako
Ni wewe twakuinua
Tunakuheshimu

... @ PST. SAMWEL - Baba nyosha mkono wako

Video

Apostle Worship

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Meaning & Inspiration

Pst Samuel's "Baba wa mbinguni nyosha mkono wako," released on January 30, 2018, is a profound and moving worship anthem that captures the heart's yearning for divine intervention. At its core, the song is a heartfelt and persistent prayer, a collective cry from God's people for Him to demonstrate His power and presence in a tangible way. The title, translating to "Father in heaven, stretch out your hand," immediately sets a tone of humble dependence and earnest expectation, inviting the Almighty to manifest His glory. The essence of the song lies in the belief that when God acts, when His hand is revealed, His people will inevitably respond with adoration, praising His holy name. It articulates a universal human longing to witness God’s active involvement in the world, particularly in challenging times, fostering faith and inspiring a deeper reverence.

The spiritual depth of "Baba wa mbinguni nyosha mkono wako" resonates powerfully, drawing heavily from scriptural themes of divine action and the purpose behind God's demonstrations of power. When the lyrics plead, "Father in heaven, stretch out your hand, let your people see it, and when they see it, they will praise your name," it echoes numerous biblical accounts where God's "outstretched arm" signified His mighty deliverance and miraculous works. For instance, in Exodus 3:20 and 7:5, God promises to stretch out His hand against Egypt, not only to free His people but also so that the Egyptians would "know that I am the Lord." Similarly, Acts 4:30 describes the early church praying for God to "stretch out your hand to heal and perform signs and wonders." This imagery isn't just about power; it's about revelation—God revealing Himself to His people and to the world through His works, so that His name may be exalted. Psalm 136:12 reminds us of His "mighty hand and outstretched arm" that brought Israel out of Egypt, a timeless testament to His redemptive strength. The song's repeated request for God to stretch out His hand, therefore, is a profound call for Him to intervene, to heal, to deliver, and to provide, all with the ultimate goal of glorifying His name.

Pst Samuel thoughtfully expands on God's character, moving beyond just "Father in heaven" to also address Him as "Baba wa mayatima" – Father of orphans. This specific reference is a beautiful and tender acknowledgment of God's profound compassion and care for the vulnerable, drawing directly from verses like Psalm 68:5, which declares, "A father to the fatherless, a defender of widows, is God in his holy dwelling." This title assures all who feel lost, abandoned, or overlooked that their heavenly Father sees them, hears their cries, and is intimately concerned with their welfare. It broadens the scope of the song's prayer, extending the hope for divine intervention not just to a collective "people" but specifically to those most in need of a protecting and providing hand. This aspect adds immense emotional weight and universal appeal, reminding us of God's holistic care for every individual, especially those who often bear the brunt of life's difficulties.

Throughout the song, the response of the worshiper is depicted through phrases like "Tunakuinua" (We lift You up), "Tunanyenyekea" (We humble ourselves), "Tunakuhitaji" (We need You), and "Tunakuheshimu" (We honor You). These declarations are not mere affirmations but portray an active posture of worship, surrender, and absolute dependence. They reflect the understanding that while we ask God to act, we must also approach Him with humility and adoration. James 4:10 teaches us to "Humble yourselves before the Lord, and he will lift you up," a principle mirrored in the song's emphasis on humility preceding God's action. The repeated acknowledgment of need, "Tunakuhitaji," aligns with Matthew 6:33, urging us to "seek first his kingdom and his righteousness, and all these things will be given to you as well." This song skillfully portrays a complete circle of faith: a desperate plea, a confident expectation of God's power and compassion, and a committed response of praise and worship. It is an inspiring call to remember that our heavenly Father is not distant but is ever ready to stretch out His hand, inviting us to witness His glory and give Him the praise due to His name.

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