Verse 1
Levanto un aleluya
En medio de la adversidad
Levanto un aleluya
Tan fuerte que no hay duda en mi
Verse 2
Levanto un aleluya
Mi arma melodia es
Levanto un aleluya
El cielo peleara por mi
Chorus
Yo cantare en la tempestad
Fuerte y m?s fuerte
Mi alabanza rugira
De las cenizas
La esperanza vendra
La muerte ha vencido
El Rey vivo est?
Verse 3
Levanto un aleluya
Con todo lo que hay en mi
Levanto un aleluya
La oscuridad tendra que huir
Verse 4
Levanto un aleluya
En medio de la ansiedad
Levanto un aleluya
Temor tu no me venceras
Chorus
Yo cantare en la tempestad
Fuerte y m?s fuerte
Mi alabanza rugira
De las cenizas
La esperanza vendra
La muerte ha vencido
El Rey vivo est?
Bridge 1
Canto aleluya canto aleluya
Canto aleluya canto aleluya
Bridge 2
Clamo aleluya clamo aleluya
Clamo aleluya clamo aleluya
Bridge 3
Declaro aleluya declaro aleluya
Declaro aleluya declaro aleluya
Bridge 4
Grito aleluya grito aleluya
Grito aleluya grito aleluya
Chorus
Yo cantare en la tempestad
Fuerte y m?s fuerte
Mi alabanza rugira
De las cenizas
La esperanza vendra
La muerte ha vencido
El Rey vivo est?
Levanto Un Aleluya
Levanto Un Aleluya Song Meaning, Biblical Reference and Inspiration
"Levanto Un Aleluya" by Free Worship, released on October 15, 2019, stands as a powerful anthem centered on the transformative act of worship in the face of life's most challenging circumstances. The song's core message is built upon the deliberate choice to lift a "Hallelujah" - a word of praise to God - not when circumstances are favorable, but precisely "en medio de la adversidad" (in the midst of adversity) and "en medio de la ansiedad" (in the midst of anxiety). This establishes a theme of counter-cultural faith, where praise is an active response against negative forces and emotions.
The lyrics repeatedly emphasize the strategic nature of this act of worship. Raising a Hallelujah is described as an "arma melodia" (a melody weapon), suggesting that sound and praise are not just expressions of feeling but instruments of spiritual warfare. The declaration that "El cielo peleará por mi" (Heaven will fight for me) links human worship on earth to divine intervention, drawing on biblical narratives where God responds to the faith and obedience of His people. The song asserts confidence that this determined praise is so potent ("Tan fuerte que no hay duda en mi") that it causes darkness and fear to retreat ("La oscuridad tendrá que huir", "Temor tú no me vencerás").
The chorus serves as the song's central declaration and promise. It paints a vivid picture of singing "en la tempestad" (in the storm), with the praise growing "Fuerte y más fuerte" (Stronger and stronger). The imagery of praise roaring ("Mi alabanza rugirá") conveys an untamed, powerful force erupting from the depths of difficulty. The line "De las cenizas la esperanza vendrá" (From the ashes hope will come) signifies restoration and renewal emerging from devastation, a powerful testament to the redemptive power associated with faith and worship. The culmination of the chorus rests on the foundational truth of Christian belief: "La muerte ha vencido, El Rey vivo está" (Death has been conquered, The King is alive). This affirms the ultimate victory over death and the resurrection of Jesus Christ as the basis for present hope and future triumph, anchoring the struggle in a reality of established victory.
The repetitive structure of the verses reinforces the consistent theme of raising Hallelujah in different contexts of struggle. The bridges amplify this act through various verbs: "Canto" (I sing), "Clamo" (I cry out), "Declaro" (I declare), "Grito" (I shout). This progression highlights the multifaceted nature of worship – it can be a quiet song, a fervent cry, a bold declaration, or an unrestrained shout – each a valid expression of Hallelujah directed towards God, serving to reinforce the spiritual battle being waged through praise.
The song draws upon scriptural principles where praise and worship are portrayed as powerful forces. The concept of praise as a weapon resonates with accounts like the Israelites marching around Jericho with shouts (Joshua 6), or King Jehoshaphat sending worshipers before his army, leading to the defeat of his enemies (2 Chronicles 20). Singing in the midst of suffering is exemplified by Paul and Silas singing hymns in prison before their miraculous release (Acts 16). The promise of hope from ashes connects with passages describing God's ability to bring beauty and restoration out of ruin (Isaiah 61:3). The declaration of victory over death finds its basis in numerous New Testament passages celebrating Christ's resurrection and the defeat of death's power (1 Corinthians 15:54-57, Revelation 1:18). "Levanto Un Aleluya" encourages believers to actively engage in worship as a declaration of faith in God's power and ultimate victory, regardless of the intensity of their present trials, grounding their hope in the completed work of the resurrected King.