Enid Moraa - Sifa Zote Lyrics
Lyrics
Sifa zote ni zako Bwana Kwa yale yote unayofanya Viumbe vyote vyakusifu uuh Na sisi wana wako tunakuabudu
Sifa zote ni zako Bwana Kwa yale yote unayofanya Viumbe vyote vyakusifu mwokozi wetu Na sisi wana wako tunakuabudu
Kwani ni wee, Kwani ni wewe unatupenda Nani aokoa, nani atupenda niwee Umeniokoa, niwe niwe niwee Nani mfariji niwee, nani abariki niwee Tunasifu niwee niwee niwee
Sifa zote ni zako Bwana Kwa yale yote unayofanya Viumbe vyote vyakusifu uuh Na sisi wana wako tunakuabudu
Kwani ni wee, Kwani ni wewe unatupenda Nani aokoa, nani atupenda niwee Umeniokoa, niwe niwe niwee Nani mfariji niwee, nani abariki niwee Tunasifu niwee niwee niwee
Sifa zote sifa zote mkombozi ni wewe
Yesu Yesu Yesu utukuzwe milele
Kwani ni wee, Kwani ni wewe unatupenda
Video
Sifa Zote//Unatosha//Hakuna jambo lisilowezekana
Meaning & Inspiration
When Enid Moraa brings these Swahili melodies to the ears of the church, she does something refreshingly simple yet deeply heavy in its weight of glory. She directs the focus away from our problems and pins it squarely on the character of God. In Sifa Zote, she grounds the act of worship in the objective reality that God is the one who acts, saves, and sustains. When she sings that all praise belongs to the Lord for what He does, she hits on the exact rhythm of Psalm 145, where David declares that one generation shall commend His works to another and tell of His mighty acts. The song does not rely on clever metaphors, instead opting for a direct recognition of divine sovereignty.
The theology here is stripped of excess. By asking who saves and who comforts, Moraa forces the believer to acknowledge that these roles are not filled by human effort. It mirrors the spirit of Isaiah 43:11, where God claims the title of Savior for Himself alone. When she declares that she is loved and rescued by Him, she is anchoring her personal security in the finished work of the cross. This is not casual praise; it is a declaration of dependency. It echoes the Apostle Peter in Acts 4:12, affirming that there is no other name under heaven by which we must be saved. She identifies Christ as the source of blessing and comfort, which is the only logical response when we realize that our life, breath, and existence depend entirely on the King of Kings.
The repetition of the name of Jesus is not just a musical choice; it is an act of theological defiance against a culture that tries to dilute His importance. She brings the focus back to the exclusivity of Christ as the Redeemer. When the lyrics demand to know who can do these things, they answer with the undeniable truth that Jesus is the only one who fits the description. She makes it clear that the creation acknowledges its Maker and the children of God respond with intentional worship. This is the bedrock of Christian life, recognizing that our worship is not just a song we sing, but a response to the One who is worthy of every bit of glory because He is the only one who has ever been able to pull us out of the darkness and into His light.