Chandler Moore - See It Lyrics

Lyrics

No eye has seen and no ear has heard 

I can't imagine what He's gonna do 

But I have seen Yes I have heard 

Yes I do know that God is up to someone


And I am standing on something sure 

You gave your word 

You're gonna do what no man can ever do

All that we've seen 

You'll exceed our wildest dreams

What You start You complete yeah

And if we can't see it, we gonna see it

...

Increase our faith Lord 

Jesus help our unbelief


And I am standing on something sure 

You gave your word 

You're gonna do what no man can ever do

All that we've seen 

You'll exceed our wildest dreams

What You start You complete yeah

And if we can't see it, we gonna see it


If You said it, Lord I am gonna see it 

From disappointment help me believe it 

If You said it, Lord I am gonna see it 

From disappointment help me believe it 


Help me believe it 

Help me believe it


If You said it we believe it

If You said it we believe it

If You said it we believe it

Video

Lead Me On (Live) | Chandler Moore | Live In Los Angeles (Official Music Video)

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Meaning & Inspiration

There’s a specific kind of danger in writing songs about what God is "about to do." It’s easy to slip into a rhythm of cheerleading for a vague future, treating God like a cosmic contractor who is obligated to show up at our specific job site on our specific timeline. But in "Lead Me On," Chandler Moore pulls back from that edge by anchoring the anticipation in the only thing that actually holds weight: the Word.

When we sing, "I am standing on something sure / You gave your word," we are moving away from the ephemeral "vibes" of a Sunday morning and leaning into the grit of Hebrews 6:19. That verse talks about hope as an anchor for the soul—something firm and secure. As someone who builds the set-lists every week, I’m constantly looking for these anchor points. We don’t need more songs that just make people feel good; we need songs that force them to stand on something that can take their weight when the week goes sideways.

The lyric that hits me hardest is the plea, "From disappointment help me believe it." That’s the real room where we live. Most of the folks in the rows on Sunday aren't coming in with a blank slate. They’re coming in with the residue of a prayer that didn’t get answered the way they wanted, or a situation that went south despite their faithfulness. Asking God to help us believe in the middle of that disappointment is a raw, honest prayer. It’s an echo of the man in Mark 9 who cried out, "I believe; help my unbelief!"

If I’m leading this, I’m thinking about how the congregation breathes through those lines. We have to be careful not to rush into the bridge where we’re shouting "we believe it" until we’ve actually sat in the discomfort of needing the help to get there. If we skip the plea, the declaration becomes performative—just another set of empty syllables sung over a beat.

The Landing of this song isn't the promise of a miracle; it's the posture of surrender to the Character of God. When the music stops, the congregant shouldn't be thinking about their specific breakthrough. They should be left with the weight of the promise-keeper Himself. It’s an unfinished space, really. We’re left standing in that middle ground, between the disappointment we feel and the certainty of what He said. And maybe that’s the healthiest place to be on a Sunday morning—not necessarily "fixed," but held.

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