Upendo Kilahiro - Unajibu Maombi Lyrics
Lyrics
Unajubu maombi Unajibu maombi Unajibu maombi Nakuamini Bwana
Ezekia alipougua alikulilia ukamsikia Ukamponya na kumwongezea mwaka, Maana unajibu maombi, Nami leo nakuita Baba usinifiche uso wako Na wale waliokata tamaa, maana wewe u mwaminifu
Unajubu maombi Unajibu maombi Unajibu maombi Nakuamini Bwana
Umesema ikiwa watu wako Tulioitwa kwa jina lako Tutajinyenyekesha na kuomba na kuutafuta uso wako Na kuziacha njia zetu mbaya, utasikia toka mbinguni Na kutusamehe maovu yetu na kuiponya nchi yetu
Unajubu maombi Unajibu maombi Unajibu maombi Nakuamini Bwana
Nakuabudu Mungu mwaminifu, wewe ni Mungu usiyeshindwa. Mungu unashika maagano nakuabudu Bwana Sikio lako sio nzito, wewe ni Mungu uliyekaribu Toka mbinguni sikia na kujibu, Nakuabudu Bwana
Unajubu maombi Unajibu maombi Unajibu maombi Nakuamini Bwana
Unajubu maombi Unajibu maombi Unajibu maombi Nakuamini Bwana
God Answers Prayers
Video
Amon & Upendo Kilahiro Unajibu Maombi 'Nyimbo Za Kuabudu' Official Video
Meaning & Inspiration
Upendo Kilahiro captures a raw, unshakable confidence in the character of God with the track Unajibu Maombi, a piece that has grounded many in the Swahili-speaking world since its 2017 appearance. The song hits on a foundational truth we often forget when the weight of life presses in: God is not silent, and He is certainly not indifferent. When she sings that He answers prayers, she is not just offering a pleasant sentiment; she is declaring a theological reality rooted in the consistent nature of the Father.
The lyrics bring us back to the account of Hezekiah, who faced the shadow of death and cried out to the Lord in his desperation. Just as God granted him additional years in Isaiah 38, Upendo uses this historical account to build faith for the present. If He heard the king in his chambers, He hears the man or woman standing in the living room today. This is the very definition of a God who is near. It challenges the lie that God is distant or uninterested in our personal aches. By pointing to Hezekiah, the song anchors our hope in the historical fact that the Lord responds to the broken-hearted who seek Him.
The bridge of the song weaves in the essential covenantal promise found in 2 Chronicles 7:14. It is a striking inclusion because it centers on the condition of our own hearts. God promises to hear from heaven, forgive, and heal, but He invites us to first humble ourselves and turn from our wicked ways. It is a beautiful call to repentance that shifts the focus from our problems to our posture before the throne. It suggests that prayer is not merely a tool to get what we want, but a gateway to align ourselves with the One who holds the power to heal our land.
When Upendo declares that God’s ear is not heavy, she is echoing the comfort found in Isaiah 59:1. She treats God as a promise-keeper, someone who stands by His word even when the world feels chaotic. The repetition of the central refrain acts as a confession, forcing the spirit to agree with the truth that He is a God who refuses to be defeated by our circumstances. There is no guesswork here. She asserts that He is a God who hears from heaven and acts accordingly. If you have ever felt like your prayers were hitting the ceiling, this song serves as a stubborn, necessary rebuttal to that doubt, insisting that the King of the universe is actually listening and ready to move on behalf of His children.