Tommee Profitt - Away in A Manger Lyrics

Away in A Manger

Away in A Manger Song Meaning, Biblical Reference and Inspiration

Tommee Profitt's rendition of the classic Christmas carol "Away in A Manger" offers a powerful blend of traditional reverence and modern cinematic production. This version takes the beloved melody and its simple, profound lyrics, expanding the sonic landscape to create an experience that is both intimate and epic. Known for his dramatic and orchestral arrangements, Profitt imbues the familiar tune with a sense of awe and magnitude, reflecting the significance of the event it describes. The accompanying song video, released on 2024-11-15, serves to visually complement the emotional and musical weight of this interpretation, providing a contemporary perspective on a timeless narrative.

The lyrics begin with the well-known scene of the Nativity, depicting the humble setting where Jesus was born. "Away in a manger, no crib for a bed, the little Lord Jesus laid down His sweet head." This imagery immediately establishes the stark reality of Christ's birth, highlighting the lack of worldly comforts as His resting place was a manger filled with hay. The verse continues, observing the natural surroundings – "The stars in the sky looked down where He lay, the little Lord Jesus asleep on the hay." This paints a peaceful picture, contrasting the cosmic significance of the event with the quiet simplicity of the moment. The second verse introduces the sounds of the stable, with "The cattle are lowing," but emphasizes the unique nature of the child: "But little Lord Jesus, no crying He makes." This portrayal often symbolizes the perfect peace and divine nature present even in infancy. The perspective then shifts to a personal plea from the singer: "I love Thee, Lord Jesus, look down from the sky, and stay by my cradle 'til morning is nigh." This transforms the observation of the Nativity into a personal prayer for Christ's presence and protection, linking the historical event to a contemporary, individual devotion.

The third verse continues this personal prayer and expands it outward. "Be near me, Lord Jesus, I ask Thee to stay, close by me forever and love me, I pray." This expresses a deep desire for a continuous, intimate relationship with Christ. The focus then broadens to encompass others: "Bless all the dear children in Thy tender care, and fit us for heaven to live with Thee there." This adds a communal element, praying for the spiritual well-being of all children and the ultimate hope of salvation and eternal life in God's presence. The interludes of vocalizations ("Oh oh oh") provide moments of reflection or transition within the arrangement, allowing the emotional weight of the lyrics and music to resonate.

A notable addition in this rendition is the chorus, which serves as a powerful declaration of worship and Christ's identity. "We sing hallelujah to the Prince of Peace, We sing hallelujah to the Lord." This elevates the song from a simple narrative and personal prayer to a corporate act of worship, praising Jesus with the highest expression, "Hallelujah." He is proclaimed as the "Prince of Peace," a title emphasizing His role in bringing reconciliation and tranquility. The chorus continues with a description of the divine worship surrounding His birth: "We sing with the angels to the newborn King." This references the heavenly host that appeared to the shepherds, celebrating the arrival of the Messiah. Finally, His ultimate identity and purpose are declared: "The Christ, He's the Savior of the world." This encapsulates the core message of the Christian faith – that Jesus is the Anointed One, sent to redeem humanity.

The themes explored in the lyrics resonate with various biblical passages. The depiction of Jesus' birth in humble circumstances in a manger is found in Luke 2:7. The reference to angels singing praises echoes the angelic announcement and song in Luke 2:13-14. Jesus being referred to as the "Prince of Peace" aligns with the prophecy in Isaiah 9:6. The recognition of Him as the "newborn King" is central to the narrative of the wise men seeking Him (Matthew 2:2), and His role as the "Savior of the world" is affirmed in scriptures like John 4:42 and 1 John 4:14. The personal prayer for Jesus to "stay by my cradle" and "be near me" reflects the biblical invitation to draw near to God (James 4:8). The prayer for children's blessing and being fitted for heaven touches upon themes of God's care for the vulnerable and the promise of eternal life for believers. Tommee Profitt's musical arrangement amplifies these scriptural truths, creating an auditory experience that feels both ancient and profoundly relevant. This version successfully bridges the gap between the quiet contemplation of the Nativity story and the grand theological declarations about who Jesus is.