Joyce Blessing - Adam Nana Lyrics
Lyrics
[INTRO] Je m’appelle unbreakable Still unbreakable Only God ɛnyɛ wo dɛ, ɛnyɛ wo dɛ ɛnyɛ wo dɛ ɛnyɛ ɛno no
[VERSE 1] Ɛdora anwummerɛ me hyiaa Yeshua Hamashiach He says He is coming down today To perform a miracle For you and I Na me sie ɛyɛ me adam nana Sɛ anka me bone ahyɛ me ma Very far from the mercy But He have given me opportunity To worship your majesty Till eternity, to the holy trinity Tie! (Listen) angels are singing Seraphim and Cherubim Ɔkoto, na ɛnyɛ me adam nana Me nso me koto bi oo Mebɔ ne din daa oo Na maka sɛ Igwe Nyame sɛ aseda
[CHORUS] Mo mma yɛn tɔ ɛɛ Igwe! Nyame sɛ aseda Igwe! Nana Nyame sɛ aseda Igwe! nyame sɛ ayeyi oo Aseda aseda nkoaa oo
[VERSE 2] The calm those above, He quite those below Yeshua Hamashiach is coming down today Nsenkyerene ne sɛ nsenkubɔfo di n’akyi Ɛbi nso di n’anim, unbreakable medi n’anim Tie! na eguamma no nso woso akasaa Ɔbo mmrane de hyɛ Nyame anuonyam Tie! (Listen!) Angels are singing: hallelujah Seraphim and Cherubim: hosanna Ɔkoto, na ɛnyɛ me adam nana Me nso me koto bi oo Me bɔ ne din akyerɛ aman, Nyame Igwe! Nyame sɛ aseda [CHORUS] Wo nsomu na yɛn tɔ sɛ Igwe! Nyame sɛ aseda Igwe! Nana Nyame sɛ aseda Igwe! nyame sɛ ayeyi oo Aseda aseda nkoaa ni oo Igwe! Nyame sɛ aseda Igwe! Nana Nyame sɛ aseda Igwe! nyame sɛ ayeyi oo Aseda aseda nkoaa ni oo
[HOOK] Wo mma nsenku no mbom ɛɛ Wo mma menta no mbom ɛɛ Dɛwuruta no mbom Yesu ba Mpintin no mbom Unbreakable Yeda wase daa Nana Nyame Yeda wase daa Igwe! Nana Nyame sɛ aseda Kaywa bɔ me piano
Video
Joyce Blessing - Adam Nana (Official Video)
Meaning & Inspiration
Released in 2019, Joyce Blessing's gospel song "Adam Nana" features her signature blend of contemporary sound and traditional Ghanaian elements, reinforced by her moniker "unbreakable," which is declared at the song's opening. The title, translating literally to "Grandchild of Adam," sets a foundational theme related to humanity's inherited state, seemingly contrasting this with the redemptive power and grace of God. The lyrics immediately introduce a spiritual encounter: "Ɛdora anwummerɛ me hyiaa Yeshua Hamashiach" (Yesterday evening I met Jesus the Messiah), who declares He is coming down to perform miracles. This encounter signifies a turning point, moving from a state where the singer's condition was defined by being "Adam's grandchild" ("me sie ɛyɛ me adam nana") and overwhelmed by sin ("me bone ahyɛ me ma"), far from mercy, to receiving an opportunity to worship God's majesty for eternity.
The core message of the song revolves around this transformation and the resulting call to worship and thanksgiving. The recurring chorus, featuring the declaration "Igwe! Nyame sɛ aseda," translates to "King/Heaven! God deserves thanks," amplified by "Nana Nyame sɛ aseda" (Grandfather God deserves thanks) and "Nyame sɛ ayeyi oo" (God deserves praise). This emphatic repetition underscores the song's central purpose: an expression of profound gratitude and adoration for God's mercy and salvation. The inclusion of "Igwe," a term often used for God in Igbo, reflects the broader influence and reach of gospel music across West Africa, connecting the worship experience beyond specific tribal or national lines.
The song draws heavily on biblical imagery and concepts. The meeting with "Yeshua Hamashiach" highlights the Christian belief in Jesus as the Messiah and the source of salvation. The contrast between the state of being "Adam's grandchild" and being granted access to worship reflects the theological understanding of humanity's fallen state through Adam's sin (as referenced in scriptures like Romans 5:12-19) and the redemption offered through Christ, enabling believers to approach God's throne (Ephesians 2:4-5, Hebrews 4:16). The mention of angels like Seraphim and Cherubim singing (Isaiah 6:1-3, Revelation 4:8) places human worship within a cosmic context, suggesting that the act of giving thanks is aligned with the activities in the heavenly realm. The line "Ɔkoto, na ɛnyɛ me adam nana" (Worshiping, and it's not because I am Adam's grandchild) further emphasizes that this worship is not a default human behavior stemming from the fallen nature, but rather a response to a specific divine intervention or grace.
"Adam Nana" is not just a personal testimony but also a corporate call to worship. The bridge section invites listeners to join in the musical celebration: "Wo mma nsenku no mbom ɛɛ," "Wo mma menta no mbom ɛɛ," "Dɛwuruta no mbom," "Mpintin no mbom" – calling for trumpets, drums, guitars, and traditional Mpintin drums to sound together. This signifies a communal expression of praise, inviting everyone to participate in the act of thanking and glorifying God. The acknowledgement of the producer, Kaywa, in the lyrics ("Kaywa bɔ me piano"), is a common feature in Ghanaian music, integrating the creative process into the final art form. The official music video for "Adam Nana," released on October 4, 2019, visually complements the song's message, typically depicting scenes of heartfelt worship, joy, and possibly symbolic elements reflecting the lyrics' themes of deliverance and gratitude, enhancing the overall inspirational impact of the song.