Guy Penrod - The Old Rugged Cross Lyrics

Album: Bill Gaither's Best of Homecoming 2013
Released: 06 Feb 2007
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Lyrics

On a hill far away, stood an old rugged Cross

The emblem of suff'ring and shame

And I love that old Cross where the dearest and best

For a world of lost sinners was slain


So I'll cherish the old rugged Cross

Till my trophies at last I lay down

I will cling to the old rugged Cross

And exchange it some day for a crown


Oh, that old rugged Cross so despised by the world

Has a wondrous attraction for me

For the dear Lamb of God, left his Glory above

To bear it to dark Calvary


So I'll cherish the old rugged Cross

Till my trophies at last I lay down

I will cling to the old rugged Cross

And exchange it some day for a crown


In the old rugged Cross, stain'd with blood so divine

A wondrous beauty I see

For the dear Lamb of God, left his Glory above

To pardon and sanctify me


So I'll cherish the old rugged Cross

Till my trophies at last I lay down

I will cling to the old rugged Cross

And exchange it some day for a crown


To the old rugged Cross, I will ever be true

Its shame and reproach gladly bear

Then He'll call me some day to my home far away

Where his glory forever I'll share


So I'll cherish the old rugged Cross

Till my trophies at last I lay down

I will cling to the old rugged Cross

And exchange it some day for a crown

Video

Guy Penrod - The Old Rugged Cross

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Meaning & Inspiration

I remember sitting in the back of a small, drafty church in rural Tennessee years ago. The kind of place where the wood floors creak under every footstep and the air always smells faintly of floor wax and old hymnals. It was one of those Sundays where the weight of the week felt particularly heavy—the kind of exhaustion that settles deep in your bones, the sort that doesn't just go away with a night of sleep. Then, the music started. Guy Penrod stepped up, and when that deep, resonant voice began to carry the melody of "The Old Rugged Cross," the room seemed to go perfectly still.

It’s an old song—a classic, really—but hearing Penrod sing it on that Homecoming recording brought a fresh, almost sharp clarity to lyrics I thought I knew by heart.

"On a hill far away, stood an old rugged Cross," he sang. It’s such a simple opening, yet it paints a picture that forces you to pause. We’ve grown so accustomed to the cross as a piece of jewelry or a stained-glass motif that we forget what it actually was: a brutal, jagged instrument of suffering and shame. As I listened, I found myself wrestling with that dichotomy. How did something that represented the ultimate defeat turn into a symbol of victory?

The lyrics mention, "For the dear Lamb of God, left his Glory above / To bear it to dark Calvary." I remember feeling a strange tension in that moment of the song. It’s not a comfortable thought, is it? The idea that the Creator of the universe would voluntarily choose the path of "shame and reproach" is an affront to our human sense of dignity and success. We like to build our own pedestals, collect our own little trophies of life, and carve out our own definitions of power. But the cross demands we empty our hands of those very things. When the lyrics say, "Till my trophies at last I lay down," it hits me right where I’m most stubborn. It’s hard to let go of the things I’ve worked so hard to accumulate—my reputation, my plans, my perceived control—but the song reminds me that those things are just distractions. They are temporary.

There’s a line that particularly sticks with me: "In the old rugged Cross, stain'd with blood so divine / A wondrous beauty I see." It’s a paradox, isn’t it? Beauty in blood. Beauty in suffering. It reminds me of Isaiah 53, the passage that talks about the Suffering Servant—a man of sorrows, acquainted with grief. We don’t naturally look for beauty in brokenness. We look for beauty in strength, in pristine things, in the polished exterior. Yet, here is a man singing about the "wondrous attraction" of a cross.

I’ve had seasons where I felt like my life was falling apart, where the "shame and reproach" mentioned in the song felt like a cloak I couldn’t take off. Maybe you’ve been there, too. You feel exposed, misunderstood, or just plain weary of trying to keep up appearances. In those moments, I don't need a polished sermon or a list of steps to follow. I just need to remember that the One who walked toward Calvary understands the weight of a heavy heart. He didn’t bypass the suffering; he walked through it to "pardon and sanctify me."

I find myself wondering sometimes—if I’m truly honest—if I really am ready to "cling" to that cross, or if I’m just holding onto it loosely, ready to drop it the moment life gets convenient again. Faith isn’t always a grand, sweeping gesture. Sometimes it’s just the quiet, daily decision to keep showing up, to keep acknowledging that I can’t do this on my own, and to trade my own fragile, earthly expectations for the promise of a "crown" that isn't made of gold or ego.

Listening to Penrod hit those low, gravelly notes, I realized that the song isn't just about the historical event on a hill outside Jerusalem. It’s about the geography of the heart. It’s about acknowledging that the road to any real, lasting peace inevitably goes through the place where we surrender our own will. It’s not an easy journey, and I’m certainly not an expert at walking it. There are days I stumble, days I want the crown without the cross. But then I hear those words again, and I’m reminded that I’m not alone in the wandering. We’re all just looking for home, trying to find our way back to that place where we can finally lay our burdens down. And for today, at least, that’s enough.

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