Waka waka baby, oh yeah
Wuru wuru baby, oh yeah
Corner corner baby, oh yeah
And I go tell my mama, oh yeah
And I go tell my papa, oh yeah
And I go tell am say, oh yeah
You be waka waka baby, oh yeah
You be chuku chuku baby, oh yeah
Baby sawaleh
Sawa sawa sawaleh
Sawa sawa sawale, ash!
Ashawo
Baby sawaleh
Sawa sawa sawaleh
Sawa sawa sawale, ash!
Ashawo
Kpom kpom kporokotom kpom kpom
Kporokotom kpom kpom kporokotom kpomkpom kporokotom
Kpakolo kpa, kpacolo kpa, kpacolo kpa
Kpom kpom
Eh, eh, eh, eh, eh, eh
Kpom kpom
And the baby sawaleh le
Sawa sawa sawaleh, sawa sawa sawaleh
Ashawo
All my sexy sexy ladies
All my freaky freaky ladies
She give me what boss
Whenever me come to the --
The way ---
Only God who can save, sawaa
Save me from her body power
Waka waka baby, oh yeah
Wuru wuru baby, oh yeah
Corner corner baby, oh yeah
And I go tell my mama, oh yeah
And I go tell my papa, oh yeah
And I go tell am say, oh yeah
You be waka waka baby, oh yeah
You be chuku chuku baby, oh yeah
Baby sawaleh
Sawa sawa sawaleh
Sawa sawa sawaleh
Ashawo
Baby sawaleh
Sawa sawa sawaleh
Sawa sawa sawaleh
Ashawo
Kpom kpom kporokotom kpom kpom
Kporokotom kpom kpom kporokotom kpomkpom kporokotom
Kpakolo kpa, kpacolo kpa, kpacolo kpa
Kpomkpom
Kpom kpom
Eh, eh, eh, eh, eh, eh
Kpom kpom
Original Mr Flavour pon de dance
Sawa Sawa
Sawa Sawa Song Meaning, Biblical Reference and Inspiration
Flavour's song "Sawa Sawa," with its accompanying video released on June 22, 2011, is a vibrant example of the fusion sound popular in Nigerian music during that era, blending Afrobeats sensibilities with Highlife influences. The track is driven by a pulsating rhythm, characteristic of Flavour's style, designed explicitly for the dance floor. The production incorporates traditional percussive sounds, hinted at by the "Kpom kpom kporokotom" and "Kpakolo kpa" ad-libs in the lyrics, creating an energetic and infectious groove that forms the backbone of the song. Flavour's vocal delivery is smooth and charismatic, weaving through the repetitive, catchy hooks.
The lyrics of "Sawa Sawa" center around the intense attraction and effect a woman has on the singer. Phrases like "Waka waka baby," "Wuru wuru baby," and "Corner corner baby" use Nigerian Pidgin/slang terms that can imply someone who is always on the move, potentially elusive, or perhaps known for being available or engaging in certain activities. The repeated chant "Sawa sawa sawaleh" serves as a hypnotic melodic hook, while the explicit use of the term "Ashawo" adds a layer of provocative description, often used colloquially to describe a woman perceived as promiscuous or easily available, but within the song's context, it appears to highlight her compelling, perhaps controversial, allure. The lines about telling his mother and father emphasize the profound impact this woman has, suggesting either a playful boast about his catch or the overwhelming nature of his feelings.
The song's meaning is primarily focused on the captivating power of a woman's physical appeal and presence. The verses speak of "sexy sexy ladies," "freaky freaky ladies," and the singer needing salvation from "her body power." This vividly portrays the woman as having an intoxicating effect, almost overwhelming the singer's senses and rationality. The repetition of the core phrases and the rhythmic ad-libs contribute to the feeling of being captivated and perhaps slightly dizzy or controlled by this attraction. The song captures the raw energy and sometimes blunt language often found in street-influenced Afrobeats, celebrating physical desire and the magnetic pull between individuals.
Contextually, the song emerged during a period when Afrobeats was solidifying its global presence, drawing heavily from local languages, slang, and traditional rhythms while incorporating modern production techniques. Flavour N'abania, known for his ability to blend Highlife music with contemporary sounds, delivered "Sawa Sawa" as a track that fit perfectly into this landscape, catering to a youth audience while retaining elements familiar to older generations. The release of the music video in 2011 further amplified the song's reach, providing visual context that likely enhanced its themes of dance, attraction, and vibrant social scenes.
Interestingly, amidst the focus on physical attraction and worldly desire, the lyrics include the line, "Only God who can save... Save me from her body power." This brief invocation introduces a spiritual dimension, acknowledging that the intensity of human desire can be overwhelming and that strength or deliverance is needed, pointing to a higher power. This resonates with biblical principles found in scripture regarding the struggle with temptation and the source of strength. For instance, 1 Corinthians 10:13 assures that "No temptation has overtaken you except what is common to mankind. And God is faithful; he will not let you be tempted beyond what you can bear. But when you are tempted, he will also provide a way out so that you can endure it." Similarly, Philippians 4:13 states, "I can do all this through him who gives me strength." The song's lyric, in its own way, reflects a human recognition of needing divine intervention when faced with powerful urges, aligning with the biblical message that God provides the strength and guidance to navigate the complexities of desires and attractions in life.