Crowder - Shouting Grounds Lyrics

Contents: Song Information
  • Song Title: Shouting Grounds
  • Album: American Prodigal (Deluxe Edition)
  • Artist: Crowder
  • Released On: 23 Sep 2016
  • Download/Stream: iTunes Music Amazon Music

Shouting Grounds Lyrics

Take me to the shouting grounds
A prodigal lost was found
I should be dead right now
but I am alive

I just want to see Your face
You're calling me from my grave
Take me to the shouting grounds
it's gonna get loud

Dead man come walkin' out
When you hear the sound of mercy
Dead man come shouting out
Get out the ground you're breathing!
All who were once asleep are waking up to sing

Take me to the shouting grounds
A prodigal lost was found
I should be dead right now
but I am alive

I just want to see Your face
You're calling me from my grave
Take me to the shouting grounds
it's gonna get loud

Hey-oh,
Hey-oh
Hey-oh,
Hey-oh

No grave gonna hold me down
Can you hear the sound of saving?
No grave gonna hold me down
Can you feel the found it's shaking?
All who were once asleep are waking up to sing

Take me to the shouting grounds
A prodigal lost was found
I should be dead right now
but I am alive

I just want to see Your face
You're calling me from my grave
Take me to the shouting grounds
it's gonna get loud

Hey-oh-ey, hey-oh-eh,
Hey-oh-ey-oh-ey-oh...

Hey-oh
Hey-oh

Take me to the shouting grounds!
Take me to the shouting grounds!


Shouting Grounds

Shouting Grounds Song Meaning, Biblical Reference and Inspiration

Released on September 23, 2016, Crowder's "Shouting Grounds" emerged as a vibrant declaration rooted in the rich soil of faith traditions, immediately inviting one into a space where the divine is met with unbridled human response. The song isn't describing a physical place on a map, but rather a spiritual state, an atmosphere charged with the manifest presence and power of God that compels a reaction – specifically, an outpouring of praise and triumph. It speaks to those moments, individual or corporate, when God’s work or presence is so undeniable that quiet contemplation gives way to an irrepressible outburst of joy, faith, and recognition of His might. It’s the sound of spiritual breakthrough, a celebration of God’s intervention and faithfulness in the lives of His people, echoing the historical moments where God has shown up in powerful ways, prompting His followers to respond with similar fervor.

The concept of "shouting grounds" draws deeply from biblical narratives where God's presence or action leads to a powerful, often audible, response from people. Think of the Israelites circling Jericho, culminating in a great shout that preceded the walls falling down, an act of faith directly tied to God's command and power (Joshua 6:16, 20). It’s the sound of victory proclaimed not in human strength, but in reliance on God. Consider Psalm 47:1, which commands, "Oh, clap your hands, all you peoples! Shout to God with the voice of triumph!" This isn't polite applause; it's a command for a jubilant, triumphant noise made in recognition of God as King over all the earth. Even in the New Testament, the arrival of the Holy Spirit at Pentecost was accompanied by the sound like a mighty rushing wind, leading to a public display of God's power and people speaking in tongues, a powerful witness (Acts 2:2-4). "Shouting Grounds" taps into this legacy, suggesting that wherever God moves decisively – whether in personal deliverance, communal revival, or simply the overwhelming realization of His goodness – that place or moment becomes a "shouting ground." It's a reminder that encountering God's power is rarely a passive experience; it calls for an active, joyful response.

Musically, "Shouting Grounds" crafts an atmosphere that perfectly complements its theme. Crowder, known for blending worship with elements of folk, bluegrass, and roots music, employs instrumentation and rhythm that evoke a sense of gathering, of communal energy and movement. The driving banjo, acoustic guitar, and foot-stomping percussion build a soundscape that feels authentic and grounded, like a spontaneous gathering breaking out in worship. There's a raw energy that feels infectious, mirroring the uncontained nature of the spiritual experience the song describes. The communal vocals, often layered and enthusiastic, reinforce the idea that this is not just an individual encounter but a collective expression of faith and praise. This sound isn't merely background music; it actively participates in creating the feeling of being present in a space where such a powerful, unrestrained response is not only welcomed but feels entirely natural and necessary. The music moves with a kind of determined joy, propelling the song forward like a gathering marching toward victory or breaking out in celebration.

Ultimately, "Shouting Grounds" serves as an invitation and a reminder that God's power is real and active, capable of transforming any circumstance into a place of divine encounter and triumphant praise. It challenges the notion that worship must always be subdued or confined, pointing instead to the biblical precedent of expressing faith with energy, joy, and even noise. It encourages us to look for the ways God is moving in our own lives and communities, and to respond with the kind of faith that can bring down walls and the kind of praise that acknowledges Him as the source of all victory and breakthrough. The song leaves one feeling energized and emboldened, ready to recognize and participate in those moments where God makes His presence known and turn ordinary places into "shouting grounds." It's a call to celebrate the God who still does mighty things, prompting a response that is as irrepressible and joyful as the good news itself.
Crowder Shouting Grounds

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