Cory Asbury - Dear God Lyrics
Lyrics
Dear God,
I’ve been trying awful hard to make You proud of me
But it seems
The harder that I try the harder it becomes
And I feel like giving up
Most of the time
Dear God,
I’ve been chasing their approval and it’s killing me
And I know
The more I to try to prove
The less I have to show
And I’m stuck inside my head
Most of the time
If I pray a little harder
If I follow all the rules
I wonder could I ever be enough
I try and I try
Just to fall back down again
And I ask myself why
Do I try to chase the wind
I should lean into the mystery
Maybe hope is found in a melody
So I wanna try again
Yeah, I’m gonna try again
Dear child,
I hope you know how much I love you and I’m proud of you
Please believe
The thoughts I have for you will never change or fade away
When you felt like giving up
I never did
I’m not scared of imperfections
Or the questions in your head
Just know that you have always been enough
You tried and you tried
And I saw you wrestle with
Every how, every why...
I was right there listening
So just fall into the mystery
I’ll meet you in the melody
So please try just to try again
So child would you try again
My child you can love again
Video
Dear God - Cory Asbury | To Love A Fool
Meaning & Inspiration
Cory Asbury’s "Dear God" is a rare instance where the writer understands that a song’s structure needs to mirror the exhausting cycle of performance. Most tracks in this genre suffer from lyrical bloat—repeating the chorus until the meaning is diluted into background noise. Here, the repetition actually works. By circling the drain of "trying," Asbury captures the claustrophobia of religion-as-a-meritocracy. It doesn't feel like a filler; it feels like a man stuck in a loop.
The Power Line sits at the shift: "I never did."
It arrives in the second half, the divine response to the narrator’s confession, "When you felt like giving up / I never did." That’s the weight of the song. It dismantles the entire premise of the first half, where the protagonist is gasping for air, trying to earn affection through behavior modification. In three words, Asbury shifts the focus from human endurance to divine presence. It echoes Psalm 139—the idea that even when we are running, or failing, or spiraling in our own heads, we aren't actually outside the sightline of the Creator.
As an editor, I usually cut the "if I pray a little harder" lines because they feel like standard-issue struggle. But here, they keep the listener tethered to the reality of the burnout. We all have a list of criteria we think we need to meet before we’re allowed to approach God. We treat grace like a promotion we’re waiting to earn at a job we’re already failing at.
There’s a tension in the lyrics that I appreciate: the shift from "chasing the wind" to "leaning into the mystery." It’s an admission that we don’t actually have the answers. We are bad at being human, and we are even worse at playing god. Yet, the song doesn't provide a tidy resolution. It ends on an invitation to "try again." Not to try to "be good" again, but to try to receive the love that was already there.
There is something uncomfortable about the line, "I’m not scared of imperfections / Or the questions in your head." Most of us operate under the assumption that God is waiting for us to finish our homework before He’ll engage with us. Asbury suggests the opposite—that God is watching the "wrestle" with a calm patience that feels almost offensive to our work-hard-play-hard sensibilities.
It’s messy. It’s unpolished. It captures the frantic, repetitive nature of a mind that thinks it’s responsible for its own salvation. If you’re looking for a victory lap, this isn't it. But if you’re looking for the moment the cycle of exhaustion finally breaks, it’s right there in the quiet pivot of the second half.