Beckah Shae - Awake Lyrics

Album: Salimia Watu
Released: 10 Jul 2020
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Lyrics

Verse 1

Arise, arise

Can you feel the fire

Rising up higher

Higher, higher

Arise, arise

Darkness can't stand by

Cause the light is getting brighter

Brighter, brighter


Pre Chorus

And when we hear the trumpet sound

And the four winds blow

We will be the ones found

Looking up ready to go

And in the twinkling of an eye

We will be raised high

Every heart beating in time

With Adonai


Chorus

Awake, Awake

Sleeping giant

Open your eyes, it's time

To rise and shine

Awake, Awake

Sleeping giant

Open your eyes, it's time

Dry bones come alive


Verse 2

Revive, revive

Breathe the breath of life

Let it fill you with power

Power, power

Revive, revive

Heed His voice be wise

Ready for the final hour

Hour, hour


Bridge

Holy, holy is the one

Who was and is

and is to come

Oh, Holy, holy

Holy, holy is the one

Who was and is

and is to come

Oh, Holy, holy


Chorus

Awake, Awake

Sleeping giant

Open your eyes, it's time

To rise and shine

Awake, Awake

Sleeping giant

Open your eyes, it's time

Dry bones come alive

Awake, Awake

Sleeping giant

Open your eyes, it's time

To rise and shine

Awake, Awake

And open your eyes

Dry bones come alive


Video

Beckah Shae - Awake (Official Video)

Thumbnail for Awake  video

Meaning & Inspiration

When I look at the structure of a song like Beckah Shae’s Awake, I find myself balancing between the energy of the room and the actual weight of the theological claim. From a liturgy perspective, this track pushes hard on the concept of agency—the "sleeping giant" is told to wake up, to rise, to shine. It’s an urgent call, echoing the prophet Ezekiel’s vision in the valley of dry bones.

But there’s a tension here that I wrestle with as someone responsible for what we sing on Sunday mornings. We often lean into the "rise and shine" language because it’s invigorating. It feels like an adrenaline shot for a tired congregation. Yet, when I sing the line "Dry bones come alive," I have to check my own heart. Is the life of the bone coming from the giant’s own decision to open its eyes, or is it the sovereign wind of the Spirit? Ezekiel 37 is clear: the prophet preached to the bones, but it was the breath—the ruach—that actually performed the resurrection.

If we aren't careful, "Awake, awake" becomes a motivational speech rather than a liturgical confession. I want my people to leave a song feeling less like they’ve just finished a workout and more like they’ve been interrupted by God.

The Bridge hits a different note, though. Shifting the focus to "Holy, holy is the one / Who was and is and is to come" grounds the entire movement in Revelation 4:8. That is the necessary pivot. It moves the song away from the "giant" (us) and fixes the gaze on the Throne. Without that shift, the song risks being a circular loop of self-empowerment.

When the music stops, what are the people actually holding? If they walk away thinking, "I need to wake up and get it together," we’ve missed the point of the Cross. Our wakefulness isn’t a task we master; it’s a posture we occupy because Christ has already burst the tomb. The dry bones don't decide to get up; they respond to a Word that isn't their own.

I’m left wondering if we sing these calls to "arise" too flippantly. We treat spiritual vitality like a light switch we can flip. But true revival—the kind that moves from static to kinetic—is always a disruption of our own plans. If we’re going to call the church a "sleeping giant," we better make sure we’re clear that the only thing strong enough to wake a dead thing is the voice of the One who was, and is, and is to come. Anything else is just noise.

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