UpperRoom Music + Grace City Music - With You Lyrics
Lyrics
Verse 1:
Everything that I give You
You multiply
I need for nothing
I found that You satisfy
Chorus:
For better is one day
In the upper room with You
For better is one day with You
Verse 2:
All of my treasure I surrender
Cuz You multiply
I need for nothing
I found that You satisfy
Bridge:
Life with You at the center
Is better than any other
Lord I could praise You forever
How You saved me, How You changed me
Now that the Lord is my Shepherd
He’s leading me on new adventures
Lord I could praise You forever
How You saved me, How You changed me
Written by
Chase Wagner, Michael Delgado, Wayne McCarty, Jazmine French, Jake Ferguson
Video
When I Lock Eyes With You - Maverick City Music x UPPERROOM
Meaning & Inspiration
We spend a lot of time in the back room of the sanctuary—the place where the chords meet the congregation’s capacity to actually breathe while they sing. There is a strange pressure in modern songwriting to pack every line with a mountain of theology, which often results in a jagged, breathless melody that nobody can carry. But then you run into a song like When I Lock Eyes With You by Maverick City Music and UPPERROOM, and you have to ask: does this actually help the people in the pews find their way to the foot of the Cross, or does it just keep them circling the drain of their own affection?
The line that stops me every time is, "Now that the Lord is my Shepherd / He’s leading me on new adventures."
We’ve all heard Psalm 23 until the words lose their edges, but putting "adventures" in the mouth of a Sunday morning congregation feels… risky. It’s a bold, almost casual way to describe the wilderness or the rod and the staff. Yet, if we are honest, our walk with Christ is an adventure, though rarely the kind involving a map or a safety net. It’s the movement of a sheep that finally stops looking for greener grass because it’s realized the Shepherd is the pasture. When a congregation sings this, they aren't singing a high-brow systematic theology; they are singing an admission that their life has been reoriented.
The struggle, however, is the "me-centered" drift. The lyrics focus heavily on what "I" am giving and how "I" am satisfied. It’s dangerously close to turning worship into a transaction—I give, You multiply, I’m good. If we aren't careful, the "Upper Room" imagery becomes a private bunker where we hide away with Jesus, rather than a place of commission.
But then there is the "Landing." Where does this leave us when the final chord fades and the noise dies down?
It leaves us with the Shepherd. That is the anchor. Even with the slightly breezy phrasing of the bridge, the truth remains: if He is the Shepherd, I am not the one in charge of the map. That is a heavy, sobering realization to hold in the middle of a melody. It’s not a complete, bulletproof theological treatise, and maybe that’s fine. Sometimes, the most honest worship isn't the kind that explains everything, but the kind that admits we are being led, even when we have no idea where the next step is going.
I’m left wondering if we are actually ready for the "new adventures" the song invites, or if we’d rather just stay in the room where it feels safe. The song doesn't answer that. It just leaves the question hanging in the air, right where the singing stopped.