Angels we have heard on high
Sweetly singing o'er the plains
And the mountains in reply
Echoing their joyous strains
Gloria, gloria
In excelsis Deo, in excelsis Deo
Gloria, gloria
In excelsis Deo, in excelsis Deo
Shepherds why this jubilee
Why your joyous strains prolong
What the gladsome tidings be
Which inspire your heavenly song
Gloria, gloria
In excelsis Deo, in excelsis Deo
Gloria, gloria
In excelsis Deo, in excelsis Deo
Come to Bethlehem and see
Him whose birth the angels sing
Come adore on bended knee
Christ, the Lord, the newborn King
Singing gloria, gloria
In excelsis Deo, in excelsis Deo
Gloria, gloria
In excelsis Deo, in excelsis Deo
Angels We Have Heard On High
Angels We Have Heard On High Song Meaning, Biblical Reference and Inspiration
Phil Wickham’s rendition of the timeless carol "Angels We Have Heard On High," released on December 13, 2021, offers a vibrant, contemporary take on a story that has resonated through centuries. This song carries the profound narrative of the nativity, echoing the celestial announcement of Christ's birth. The carol itself is steeped in the account from the Gospel of Luke, specifically chapter 2, where angels appear to shepherds in the fields near Bethlehem. Their message is one of immense joy and peace, proclaiming the arrival of the Savior, Christ the Lord. The core of the carol, and the part that has captivated people for generations, is the angelic chorus crying out "Gloria in excelsis Deo," which translates to "Glory to God in the highest." This phrase is not just a lyric; it's a direct echo of the heavenly host's declaration in Luke 2:14, acknowledging the ultimate purpose of Christ's arrival – to bring glory to God and peace on earth among those on whom his favor rests.
Wickham approaches this classic with a reverence for its sacred origin while infusing it with his signature modern worship sound. The musical arrangement is bright and expansive, building dynamically to reflect the awe and grandeur of the scene it describes. His vocal delivery is clear and impassioned, guiding the listener through the familiar melody and the narrative of the shepherds' wonder and subsequent journey. This version successfully captures the soaring joy of the angelic pronouncement and the eager response of the shepherds, who, as described in Luke 2:15, hurried to Bethlehem to see the promised child. The instrumentation swells, particularly during the "Gloria" sections, creating a sense of height and glory that attempts to musically represent the heavenly choir filling the sky. It’s a sound designed not just for passive listening but to draw the hearer into the corporate act of worship, inviting them to join the chorus of angels and the shepherds in magnifying God.
The power of "Angels We Have Heard On High" lies in its foundation on profound biblical truth. It celebrates the incarnation, the staggering reality that "the Word became flesh and dwelt among us," as John 1:14 declares. This song reminds us that the birth in Bethlehem was not a quiet, unnoticed event in the spiritual realm; it was met with explosive, God-directed praise from the heavenly host. The shepherds' reaction, leaving their flocks to seek the Messiah and then spreading the word, exemplifies the appropriate human response to such divine revelation – immediate action, faith, and proclamation, just as we see in Luke 2:17-20 where they "made known the saying that had been told them concerning this child... glorifying and praising God for all they had heard and seen." Wickham's performance underscores this call to praise, making the "Gloria" not just a historical recounting but a present invitation to lift our own voices in adoration for the Savior born for us, the one Isaiah 9:6 prophesied as the Prince of Peace. This rendition serves as a powerful reminder that the events of that first Christmas demand a response of worship, joining the cosmic chorus in declaring that because of Christ, glory belongs to God in the highest heavens.