Pastor Chingtok Ishaku - Karbi Zuciyata (Receive My Heart) Lyrics
Lyrics
Oh that my offering
Will be acceptable in your sight
My lord and king
That you’ll be pleased with me
And in the sound I bring
Before your throne
Karbi zuciyata
(Receive my heart)
Hadayar ka mai tsaki
(a sacrifice Holy one)
Duba hannu na
(See my hands)
Ubangiji na
(My Lord)
Call: Gani nan
(here I am)
Response: Gani nan x2
Uh………
Call: Gani nan
Response: Gani nan x2
(here I am)
Da dukan zuciyata
(with all my heart)
Video
KARBI ZUCIYATA
Meaning & Inspiration
Pastor Chingtok Ishaku’s "Karbi Zuciyata (Receive My Heart)," released on December 18, 2019, emerges as a profound spiritual anthem, offering a poignant and direct plea for divine acceptance. This is not merely a song but a consecrated prayer set to melody, guiding the worshiper into an intimate space of surrender. From its opening lines, the piece immediately establishes its core intent: a fervent desire for one’s offering to be found pleasing in the eyes of God. The aspiration "Oh that my offering will be acceptable in your sight, My Lord and King" echoes the ancient longing found in Scripture for God to look favorably upon the sacrifices brought before Him, a sentiment reminiscent of Abel’s offering being regarded by the Lord (Genesis 4:4) and the psalmist’s yearning for his words and meditation to be acceptable (Psalm 19:14). It transitions seamlessly to a request for personal satisfaction and approval from the divine, desiring that God "be pleased with me and in the sound I bring before your throne," emphasizing that genuine worship transcends mere ritual, encompassing the entirety of one's being and expression (Psalm 50:23).
The central invocation of the song, "Karbi zuciyata (Receive my heart), Hadayar ka mai tsaki (a sacrifice Holy one)," encapsulates the very essence of spiritual devotion. This powerful declaration transforms the traditional concept of sacrifice from an external act to an internal offering of one’s innermost self. Here, the heart is presented as the ultimate sacrifice, not just any heart, but one consecrated, a "holy sacrifice," reflecting the New Testament call to present our bodies as "a living sacrifice, holy and acceptable to God, which is your spiritual worship" (Romans 12:1). It is a profound acknowledgment that what God truly desires is not material possessions but a yielded and sanctified heart (Proverbs 4:23). The subsequent lines, "Duba hannu na (See my hands), Ubangiji na (My Lord)," further deepen this commitment, signifying a complete surrender of one’s actions, labor, and service to God. It is a posture of readiness, inviting divine inspection and direction, much like the psalmist lifting his hands in prayer and supplication (Psalm 28:2, 1 Timothy 2:8).
The repeated exchange of "Gani nan (here I am)" serves as the song's most potent and challenging declaration, embodying a willingness to heed God's call without reservation. This iconic biblical response, first uttered by Abraham to God (Genesis 22:1), by Moses at the burning bush (Exodus 3:4), and most famously by Isaiah volunteering for divine service (Isaiah 6:8), signifies absolute availability and a readiness to be sent, to obey, and to serve. It transcends a simple acknowledgement of presence, becoming a powerful affirmation of unreserved commitment. The climactic declaration, "Da dukan zuciyata (with all my heart)," then solidifies this pledge, echoing the greatest commandment to love the Lord God with all one’s heart, soul, and mind (Matthew 22:37, Deuteronomy 6:5). This isn't a partial offering but a total devotion, an unfragmented surrender of one’s core being to the divine will.
"Karbi Zuciyata" transcends cultural and linguistic barriers, delivering a message that is both universally resonant within the Christian faith and deeply personal. It serves as a potent reminder that authentic worship is rooted in the heart's disposition, a living and holy offering continually presented before God. The song challenges those who engage with it to move beyond superficial displays of religiosity and delve into the profound depths of true consecration. It inspires a self-examination: what is truly being offered in our moments of worship, in our daily lives? Is it merely a song, a prayer, or the very essence of our being? Pastor Chingtok Ishaku, through this spiritually rich composition, not only creates a space for worship but also imparts a vital scriptural truth: God seeks not the performance, but the person; not the outward show, but the inward devotion of a heart wholly given. This track stands as a timeless invitation to a deeper, more sincere walk with the Divine, urging every soul to offer their entire being as a holy, living sacrifice.