We The Kingdom + Tasha Cobbs Leonard - Holy Water Lyrics

Album: Holy Water (Church Sessions) - Single
Released: 20 Mar 2020
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Lyrics

God, I’m on my knees again
God, I’m begging please again
I need You
Oh, I need You
 
Walking down these desert roads
Water for my thirsty soul
I need You
Oh, I need You
 
Your forgiveness
Is like sweet, sweet honey
On my lips
Like the sound of a symphony
To my ears
Like Holy water on my skin
 
Dead man walking, slave to sin
I wanna know about being born again
I need You
Oh, God, I need You
 
So, take me to the riverside
Take me under, baptize
I need You
Oh, God, I need You
 
I don’t wanna abuse Your grace
God, I need it every day
It’s the only thing that ever really
Makes me wanna change
 
Oh, it’s like Holy water on my skin
Yeah, it’s like Holy water on my skin

Video

We The Kingdom - Holy Water (Live)

Thumbnail for Holy Water video

Meaning & Inspiration

The challenge of leading a congregation through a song like "Holy Water" by We The Kingdom and Tasha Cobbs Leonard isn't in the melody; it’s in the posture. Most of the modern repertoire sits comfortably in the "I’m hurting, fix me" category, which is easy to sing because it’s inherently selfish. But this track forces a turn.

Look at the line: "I don’t wanna abuse Your grace / God, I need it every day / It’s the only thing that ever really / Makes me wanna change."

That hits differently than the usual "I'm broken, pick me up" lyrics. It’s an admission of a specific kind of danger—the danger of turning the Cross into a safety net we use to keep sinning comfortably. When we sing that in a room full of people, the room gets quiet. It’s not just a request for relief; it’s an indictment of our own tendency to take the most expensive gift in existence and treat it like a cheap stain remover.

If you look at Romans 6:1, Paul asks, "Shall we go on sinning so that grace may increase?" and his answer is a sharp "By no means." This song captures that tension. It acknowledges the "dead man walking" reality while refusing to let the singer stay in the graveyard.

As a leader, the "Landing" here is tricky. If we aren't careful, the congregation just walks away feeling like they need to "try harder." The real weight of the song isn't the act of begging for water; it’s the realization that the water is for cleansing, not just for comfort. When we sing about wanting to change, are we actually inviting the Holy Spirit to disrupt our lives, or are we just enjoying the aesthetic of repentance?

There’s a raw, almost desperate syncopation to the chorus that demands the congregation lean into the discomfort of needing something they don't deserve. It’s not a tidy hymn. It’s a messy, honest plea.

I find myself wondering, as the final chords ring out in the Ryman, if we’re actually ready for that baptism. Do we want the water because we’re thirsty, or because we’re tired of the dirt? Because there’s a difference. Thirst gets satisfied; cleansing changes everything. By the time the last "Holy water on my skin" fades, I’m left staring at the gap between the person singing the words and the person actually living them out on a Tuesday afternoon. The song stops, but the pressure to actually turn from the sin—to stop "abusing the grace"—doesn't go away. It just gets heavier. And honestly, that’s exactly where we ought to be.

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