Evan Craft - Todo Debo a El Lyrics

Todo Debo a El Lyrics

Me dice el Salvador
Es poco tu poder
Hijo d?bil halla en m?
Todo cuanto has menester

Todo debo a ?l
Cristo lo pag?
De las manchas del pecar
Cual nieve me lav?

Nada bueno hay en m?
Tu gracia buscar?
En la sangre de Jes?s
Mis pecados lavar?

Todo debo a ?L
Cristo lo pag?
De las manchas del pecar
Cual nieve me lav?

Me lav?, debo a ?l, estoy libre

Cuando ante el trono est?
Completo ante ?l
A los pies de mi Jes?s
Mis trofeos echar?

Todo debo a ?L
Cristo lo pag?
De las manchas del pecar
Cual nieve me lav?

Alaba al que el precio pag?,
Sobre la muerte ?l venci?


Evan Craft - "Todo Debo a Él" (Versión Acústica)

Todo Debo a El Song Meaning, Biblical Reference and Inspiration

Evan Craft's song "Todo Debo a Él," as presented in the acoustic version released on January 12, 2015, is a profound declaration of faith centered on the themes of human inadequacy and divine redemption. The song opens with a recognition of the self's limited strength, acknowledging a state of weakness that finds its complete need met in the Savior. This sets the stage for the central confession that everything owed, everything good, is solely attributable to Christ.

The core message revolves around the atonement of Jesus Christ. The lyrics state directly that Christ paid the price and, as a result, washed away the stains of sin, making the believer clean like snow. This highlights the transformative power of the sacrifice on the cross, emphasizing that this cleansing is not earned but received through Christ's action. The admission that "nothing good is in me" reinforces the concept of grace – salvation and cleansing are sought and found not in one's own merit, but through the blood of Jesus.

The song powerfully connects the washing away of sins to freedom, declaring "Me lavó, debo a Él, estoy libre" (He washed me, I owe it to Him, I am free). This freedom is a direct result of the payment and cleansing provided by Christ. Looking ahead to standing before God's throne, the song anticipates being complete because of Christ's work. In a posture of deep humility and worship, any achievements or "trophies" are cast at Jesus' feet, signifying that all is ultimately due to Him. The song concludes by inviting praise to the one who paid the ultimate price and conquered death, solidifying the victory of Christ as the foundation of the believer's hope and freedom.

This message resonates deeply with several biblical truths. The idea that human power is limited and sufficiency is found in God echoes passages like 2 Corinthians 12:9, where God's power is made perfect in weakness, and Philippians 4:19, which speaks of God supplying all needs. The concept of owing everything to Christ who paid the price and washed away sins like snow relates to scriptures on redemption and cleansing through sacrifice, such as 1 Peter 1:18-19 which mentions redemption with the precious blood of Christ, and Isaiah 1:18 where sins are made white as snow. The acknowledgment of having no inherent goodness and seeking grace aligns with Romans 3:23 about universal sinfulness and Ephesians 2:8-9 stating that salvation is by grace through faith, not by works. The washing of sins in Jesus' blood is found in texts like Revelation 1:5 and 1 John 1:7. Casting "trophies" at Jesus' feet in worship before the throne reflects the posture of heavenly worship depicted in Revelation 4:10-11, where elders cast their crowns before the throne. Finally, the declaration that Christ conquered death points to the triumphant victory of the resurrection, a central theme in passages such as 1 Corinthians 15:54-57 and Romans 6:9. The song, therefore, serves as a musical expression of these fundamental tenets of Christian faith, highlighting grace, redemption, and the sole sufficiency of Christ for salvation and eternal life.

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