Donald Lawrence - Matthew 28 Lyrics
Lyrics
Intro:
Destroy this temple and in three days,
I will raise it up.
Destroy this temple and in three days,
I will raise it up.
Destroy this temple and in three days,
I will raise it up.
Verse:
Early Sunday morning,
as the new day was dawning,
came Mary Magdalene
and the other Mary to the tomb.
Behold, there was a great earthquake.
Behold, there was a great earthquake.
For an angel descended from heaven,
an angel descended from heaven,
an angel descended from heaven,
an angel descended from heaven,
And rolled, rolled,
and rolled back the stone.
Bridge:
His countenance was like lightning,
and His raiment was as white as snow.
His countenance was like lightning,
and His raiment was as white as snow.
His countenance was like lightning,
and His raiment was as white as snow.
And for fear of Him, the keepers did shake,
and became as dead men.
Vamp:
(And the angel answered)
(and said unto the women and said...)
Fear not, fear not, fear not,
for I know that ye seek Jesus,
who was crucified.
He is not here, He is not here, He is not here;
(why are you looking for the living amongst the dead),
He is not here,
for He is risen, as He said.
Come, see the place where the Lord lay.
Ending:
Remember how He said
while He was yet in Galilee,
Sopranos: I'll rise...
Altos/Tenors: I'll rise...
Sopranos: I'll rise...
Altos/Tenors: I'll rise...
Sopranos: A...
All: gain.
Sopranos: I'll rise...
Altos/Tenors: I'll rise...
Sopranos: I'll rise...
Altos/Tenors: I'll rise...
Sopranos: A...
All: gain.
Sopranos: I'll rise...
Altos/Tenors: I'll rise...
Sopranos: I'll rise...
Altos/Tenors: I'll rise...
Sopranos: A...
All: gain.
Sopranos: I'll rise...
Altos/Tenors: I'll rise...
Sopranos: I'll rise...
Altos/Tenors: I'll rise...
Sopranos: A...
All: gain.
Altos: Hallelujah...
Sopranos/Tenors: Hallelujah...
Altos: Hallelujah...
Sopranos/Tenors: Hallelujah...
Altos: Hallelujah...
Sopranos/Tenors: Hallelujah...
All:
Amen, Amen, Amen,
Amen, Amen, Amen.
Video
Donald Lawrence & the Tri-City Singers - Matthew 28
Meaning & Inspiration
Donald Lawrence and the Tri-City Singers lean hard into the spectacle of the resurrection here, turning the account of Matthew 28 into a choir-led event. It’s loud, it’s organized, and it’s undeniably "church." But standing here in the back, away from the momentum of the music, I keep getting stuck on one line that doesn’t sit quite as easily as the rest: "Why are you looking for the living amongst the dead?"
It’s a question that sounds clean on a Sunday morning, but it feels like a gut punch on a Tuesday afternoon when you’re staring at an eviction notice or sitting in a room where a loved one used to breathe.
We love the "lightning" and the "earthquake" of the narrative. We love the dramatic imagery of the stone being rolled back because it suggests that our own blocks—our debt, our grief, our clinical depression—are about to be moved by some divine hand. But the reality of the grave is usually much quieter and much more permanent than a three-day wait. When you’re in the middle of a life-shattering loss, "He is not here" can sound less like a promise of victory and more like an abandonment. It’s hard to find comfort in a void, even if that void is empty because a miracle happened.
If this song is just another bit of religious hype, it’s Cheap Grace. It’s easy to sing about rising again when the choir is hitting those high notes in perfect harmony. It’s another thing entirely to stand in the silence of a house that’s become a tomb for your own expectations and still believe the "I'll rise again" part of the ending.
The text asks, "Why are you looking for the living amongst the dead?" Honestly? Because that’s where the pain is. That’s where the memory is. That’s where the body—or the job, or the relationship—was last seen. We look for life there because we don’t know where else to turn when everything we counted on has been crucified.
There’s a tension here that most music glides over. If Jesus is risen, why does the "temple" of my own life still feel like it’s been destroyed? Why do I still feel like a "dead man" shaking in the face of my circumstances?
Maybe the answer isn’t in the earthquake or the lightning. Maybe it’s just the grueling, repetitive act of choosing to show up at the tomb even when you’re terrified. The women went there expecting to finish a burial rite. They went looking for death. They didn’t go expecting an empty grave; they went because they were faithful to the sorrow.
I’m not sold on the optimism, but I am listening. If there’s a resurrection to be found, it isn’t going to be in the noise. It’s going to be in the terrifying, confusing space where what we lost refuses to stay dead, even when our own hands aren't strong enough to move the stone. I’m still waiting to see if that actually holds up when the music stops.