Capital Kings - Believer Lyrics

Album: II
Released: 02 Oct 2015
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Lyrics

Eyes open, I'm floatin' off, take me away
You're reachin', I feel it, I can't be the same
I'm a fuse soaked in gasoline
A beam of light for the world to see
Can't slow me down, no

I, I wanna see the world on fire
I, I see you signal in the night
So I illuminate, I
I'm jumping out in faith, I
I'm never hidin' this light away
I am more than a dreamer
I'm a believer
I'm a believer

You're spirit, it sends me out into the fray
You go out before me, I'm never afraid
I'm a fuse soaked in gasoline
A beam of light for the world to see
Can't slow me down, no (slow me down)

I, I wanna see the world on fire
I, I see you signal in the night
So I illuminate, I
I'm jumping out in faith, I
I'm never hidin' this light away
I am more than a dreamer
I'm a believer
I'm a believer

Oh, I wanna see the world on fire
See your signals in the night

Video

Capital Kings - Believer (Official Audio Video)

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Meaning & Inspiration

My hands are spotted now, the skin like parchment paper that’s seen a few too many winters. I spent this morning turning the pages of an old, frayed hymnal, the kind where the spine is held together by little more than hope and tape. Then I put on this record by Capital Kings. It’s loud, it’s fast, and it’s full of a kind of electricity that makes my old bones feel like they’re vibrating against the wooden chair.

"I'm a fuse soaked in gasoline."

That line caught me. When you’re young, that image feels like ambition. It feels like catching fire for the sake of the flame, wanting to burn bright because you have so much time left to burn. It’s a dangerous metaphor, really. Fire is unpredictable. You touch it, and it consumes you. I’ve known folks who lived their whole lives like that—burnouts by forty, chasing a light that didn't have any warmth in it. But when I sit here in the quiet, watching the shadows stretch long across the floorboards, I wonder if that’s what it means to truly be spent for the Kingdom.

We read in the Scriptures about being the light of the world, but the light isn't ours to manufacture. It’s an ember caught from His altar. I’ve spent forty years trying to hold onto that light. There were nights when I wasn't a fuse—I was just wet timber, cold and heavy, buried under the weight of my own failures. I didn't feel like a beacon. I felt like a mistake.

Yet, there’s that bit in the lyrics: "You go out before me, I'm never afraid." That’s the part that sticks. It isn't about my own internal heat. It’s about who is walking into the fray before me.

I’ve had to walk into some rooms—hospitals, cemeteries, empty living rooms—where I didn't want to be. I didn't want to shine. I wanted to hide under a blanket and wait for the world to stop spinning. But there was always a signal in the night, a quiet nudge that made me stand up. It’s funny, the way this music pushes you to move, to jump, to run. My knees don't really jump anymore. But there’s a different kind of movement—a stirring of the spirit that says, you aren’t done yet.

Is it just young man’s noise? Maybe. It’s high-energy, and I’m a high-rest-period kind of person these days. But the truth underneath the beat—the idea that you’re a vessel for something that intends to burn through the darkness—that holds up. Even when the lights go out in the house and the quiet gets a bit too loud, I’m still looking for that signal. I’m still trying to stay lit, even if the flame is just a flicker against a long, dark hallway. You keep moving, not because you’re fast, but because you know who is waiting at the end of the road.

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