Aline Barros - Bem Mais Que Tudo (Above All) Lyrics
Lyrics
Bem mais que as for?as
Poder e reis
Que a natureza e tudo que se fez
Bem mais que tudo, criado por tuas m?os
Deus tu ?s o in?cio, meio e fim
Bem mais que os mares
Bem mais que o sol
E as maravilhas que o mundo conheceu
E as riquezas, tesouros desta Terra
Incompar?vel ?s pra mim
Por amor, sua vida entregou
Meu senhor, humilhado foi
Como a flor machucada no jardim
Morreu por mim, pensou em mim
Me amou
Bem mais que as for?as
Poder e reis
Que a natureza e tudo que se fez
Bem mais que tudo, criado por tuas m?os
Deus tu ?s o in?cio, meio e fim
Bem mais que os mares
Bem mais que o sol
E as maravilhas que o mundo conheceu
E as riquezas, tesouros desta Terra
Incompar?vel ?s pra mim
Por amor, sua vida entregou
Meu senhor, humilhado foi
Como a flor machucada no jardim
Morreu por mim, pensou em mim
Me amou
Por amor, sua vida entregou
Meu senhor, humilhado foi
Como a flor machucada no jardim
Morreu por mim, pensou em mim
Me amou
Como a flor machucada no jardim
Morreu por mim, pensou em mim
Me amou...
Video
Aline Barros - Bem Mais Que Tudo (Above All) (Vídeo Ao Vivo) ft. Michael W. Smith
Meaning & Inspiration
Aline Barros hits the high notes, and the crowd goes wild. Bem mais que tudo—"Above All"—is a staple. It’s the kind of song that fills the room with a sense of grandeur, the kind that makes you feel like you’re standing on a mountain peak looking at the horizon. But I’m usually not on a mountain peak. I’m usually sitting at my kitchen table at 3:00 AM, staring at an overdue electric bill or wondering why the silence in the hallway feels so heavy after a loss.
In those moments, singing about how God is "more than the seas" or "more than the sun" feels a bit like a greeting card. It’s pretty, it’s big, but does it fit in my pocket when things fall apart?
The line that stops me—the one that actually demands a second look—is the comparison: “Como a flor machucada no jardim.” (Like a flower bruised in the garden). It’s a reference to Isaiah 53, the Suffering Servant who had no beauty that we should desire him. Most of the song is about how high and mighty God is, how he sits above the kings and the treasures of the earth. But then, it pivots. It drops the grandeur and lands on a crushed flower.
That’s the tension I can’t quite reconcile. If he’s "above all," why is he also the one being trampled?
We love the "Above All" part because it makes us feel like we’re on the winning team. It’s comfortable. But the bruised flower? That’s where the "Cheap Grace" gets stripped away. If he was really crushed—like, actually humiliated and broken—then my current mess isn’t just a theological problem to be solved with a upbeat chorus. It’s a place where he’s supposedly already been.
I struggle with this. When the layoff notice hits or the casket closes, the "king above all" feels a million miles away in the clouds. I don't need a king in the clouds; I need to know what he did with the dirt and the blood.
Aline sings, “Morreu por mim, pensou em mim.” (He died for me, thought of me). It’s a bold claim. It sounds sweet, sure, but if he really thought of me in the middle of his own humiliation, then he isn't just a distant ruler. He’s a witness to the garbage I’m currently walking through.
I’m still not sure if that makes the grief easier. Maybe it just makes it less lonely. I’m skeptical of the hype, and I’m tired of the loud production that tries to drown out the doubt. But if he really was the bruised flower—the one stepped on by the very powers he supposedly created—then maybe there’s a bit of room for me to be broken, too. I don't need him to be "above all" right now. I just need him to be the one who knows what it feels like to be the one on the ground. That, I think, is the only way this song survives the quiet, empty house.