The Kingsmen - I'm Ready To Go Lyrics

Album: Fan Favorites
Released: 18 Oct 2005
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Lyrics

It all started with a promise
That one day the Son of God would come again
And within me, it fanned a fire
And I'm waiting now for Jesus to descend

I'm ready to go When he calls my name I'll fly
I'm ready to go and I'll leave this world behind
It may be morning, night, or noon
Oh He just can't come too soon
Because I know, I know I'm ready to go

Well I won't worry about tomorrow
And if he doesn't come today I won't lose faith
Gonna keep on hoping, keep on believing
For that moment when we'll all be called away

I'm ready to go When he calls my name I'll fly
I'm ready to go and I'll leave this world behind
It may be morning, night, or noon
Oh He just can't come too soon
Because I know, I know I'm ready to go

I'm ready to go When he calls my name I'll fly
I'm ready to go and I'll leave this world behind
It may be morning, night, or noon
Oh He just can't come too soon
Because I know,
Because I know
Because I know I'm ready to go

Video

Ellie's Big Oops and the Time-Out Adventure

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Meaning & Inspiration

There is a distinct, rhythmic steady-handedness to Southern Gospel quartet music—a genre that feels less like a performance and more like a porch-side testimony. The Kingsmen carry that tradition with a kind of sturdy reliability. They aren't trying to reinvent the wheel with complex production or shifting time signatures. Instead, they lean into the quartet style because it reflects a collective confidence. In a room full of people singing in harmony about the return of Christ, the sound itself becomes a witness. It’s not about the individual; it’s about the brotherhood of believers standing firm on an old-fashioned expectation.

"It may be morning, night, or noon / Oh He just can't come too soon."

Those lines hit differently when you’re actually sitting in the middle of a messy Tuesday. We live in a culture that is obsessed with "the now"—the immediate notification, the current news cycle, the present crisis. But this song pivots to a completely different frequency. It centers on the "not yet." There is a certain holy impatience in that lyric. It’s the admission that, despite our efforts to build a comfortable life down here, the heart is actually wired for a different destination.

It echoes 2 Peter 3, where the writer talks about looking forward to the day of God and speeding its coming. It’s a strange juxtaposition to hold in your chest: wanting to be fully present for the people in your life today, while simultaneously holding a packed suitcase in your soul.

I find myself lingering on the line, "If he doesn't come today I won't lose faith."

That’s where the grit of the song resides. It’s easy to sing about flying away when the music is bright and the harmonies are tight. It’s much harder to maintain that posture when the sun goes down and the world looks exactly as broken as it did when you woke up. Hope, in this context, isn't a passive waiting room experience. It’s an active choice to keep believing despite the silence of the heavens.

Sometimes, I wonder if our modern obsession with "impact" and "legacy" has eroded our ability to simply wait. We want to be the ones who change the world, and that’s good, but are we still the ones who are ready to abandon it for something better? There is a tension there—to love the world God made, yet to be so fundamentally detached from its values that "leaving it behind" sounds like relief rather than loss.

Maybe that’s the real point of the song. It doesn't promise that the wait will be short, and it doesn't offer a formula for how to handle the disappointment of a quiet calendar. It just offers a decision: I’m ready. Whether that’s a comfort or a challenge depends entirely on what we’re clutching onto today.

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