You are the one who sees me
You are the one who hears
You are the one who holds me
And wipes away my tears
And I love You Lord my God
And I trust You with my heart
And I stand upon Your never ending love
Holding tightly to the hem of Your garment
Taking refuge in the palm of Your hand
Knowing You are the one on which I can stand
You are the one who loves me
You are the one who cares
You lift my chin, and You look into my eyes
And You say "My child, I am here"
The One
The One Song Meaning, Biblical Reference and Inspiration
Released on July 17, 2020, Rita Springer’s song "The One" arrives carrying a singular, powerful declaration focused entirely on the nature and identity of God. This piece isn't merely an exploration of faith; it's a direct address, a devotional assertion of God's unique position as the ultimate reality and source of life. The core meaning resonates deeply with the foundational truth found throughout Scripture: that there is only one true God, unparalleled and supreme. It speaks to the yearning of the human spirit to find solid ground, to anchor itself in something immutable and trustworthy amidst a world of shifting sands. The song points listeners toward the divine answer to that search, identifying Him as the single, essential figure who holds everything together, the beginning and the end of all things.
Analyzing "The One" through the lens of Scripture reveals its rich theological tapestry. The song’s central theme echoes the powerful words of Isaiah 43:10-11, where God declares, "Before me no god was formed, nor shall there be any after me. I, I am the Lord, and besides me there is no savior." This assertion of His solitary deity is fundamental, and Springer’s song captures this exclusive truth. It aligns with the Shema in Deuteronomy 6:4, "Hear, O Israel: The Lord our God, the Lord is one," a cornerstone of biblical faith emphasizing the unity and uniqueness of God. The song portrays Him not just as *a* significant being, but *the* significant being, the indispensable core of existence, mirroring Colossians 1:17 which states that "in him all things hold together." This perspective is profoundly comforting and grounding, reminding us that our hope is placed in a God who is entirely sufficient and utterly unmatched.
Musically, "The One" supports its weighty message with a soundscape that feels both spacious and substantial. The production builds carefully, allowing the lyrical focus on God’s identity to take center stage. There’s a sense of reverence embedded in the arrangement, allowing the truth being sung to land with clarity and weight. Springer’s delivery carries a conviction that feels lived-in, embodying the wonder and certainty of knowing the God she sings about. It’s not just a performance; it feels like an offering, a declaration born out of deep communion. The song manages to feel expansive, hinting at the vastness of the subject matter, while remaining intimately personal, inviting each individual to consider this divine reality for themselves. It directs attention upward, away from worldly distractions and towards the One who truly matters, reinforcing the biblical invitation found in Matthew 6:33 to "seek first the kingdom of God and his righteousness." "The One" serves as a timely reminder that our ultimate security, identity, and purpose are found exclusively in Him.
