KJ-52 - Welcome to Five Two's Lyrics
Lyrics
Hello, welcome to kj five twos records, can i take your order?
Yea, i'd like to get a triple double,double triple,
Uh, s'causee me sir,
With triple side-a-fries, hold the pickles,
Uh, sir we dont offer...
No onion,
sir,
And a milkshake on the superzize,
Sir your not listening me sir,
Sir,
And make sure you make that double triple,
Sir, this is a cd, this is an album,
we offer music, this is not a food place,
So i cant get a triple double,double?
No sir, so you can get 74 minutes of funky, funky music if you like,
Well can i get a back in date?
Yes sir we do have that,
Maybe dear slim pt.2?
Yes sir, we do have that. Would you like a supersize?
How about a rock on?
actually, we are all out,
Your out of them?
No were all out of them right now,
Well can i get a intro then?
Well here you sir, Ha, Ha, ha.
Thats right, Im back.
Three records, what cha gonna do now?
Years later ands its still, J-J-J Jesus.
it hasn't changed. Still every day, still just, J-J-J jesus.
That's right, Its kj-52. Its pronounced Five Two!
And its still just, J-J-J Jesus.
Nothin else, J-J-J uh J-J uh Jesus.
Uh.
And i dont care what you say its still just,
J-J-J Jesus,
Dont cha ever forget that.
Uh J-J-J uh J-j uh Jesus!
Video
KJ-52 - KJ Five Two
Meaning & Inspiration
KJ-52 burst onto the scene in 2003 with his album *It's Pronounced Five Two*, and the opening track, "Welcome to Five Two's," immediately sets a distinctive tone, released on January 1st of that year. This song isn't just an introduction; it’s a mission statement, a playful yet profound declaration of purpose that immediately distinguishes the artist from the noise of the mainstream. It begins with a humorous skit, presenting KJ-52 as a customer trying to order an elaborate, nonsensical fast-food meal at what he believes to be a restaurant, only to be patiently informed that "this is a CD, this is an album, we offer music, this is not a food place." This clever setup serves as an ingenious metaphor for the distractions and superficial desires that often consume our attention, a hunger for temporary gratification that misses the true nourishment being offered. It subtly critiques a culture constantly chasing the next "super-sized" thing, subtly hinting at a deeper satisfaction that cannot be found in fleeting pleasures or material abundance.
The genius of "Welcome to Five Two's" lies in its pivot from this comical exchange to a raw, unwavering declaration. After the misdirected orders for "triple double, double triple" and "superzize" milkshakes are cleared, the true offering is presented: "74 minutes of funky, funky music." But then, KJ-52 takes over, dropping the pretense and directly addressing his audience. He emphatically states, "I'm back. Three records, what cha gonna do now? Years later and it's still, J-J-J Jesus. It hasn't changed. Still every day, still just, J-J-J Jesus." This transition is powerful, stripping away the initial humor to reveal the song's foundational truth. It's a testament to steadfastness in a world of constant flux, asserting that despite the passage of time and shifting trends, the core message remains immutable. This steadfastness mirrors the very nature of God, who declares in Malachi 3:6, "For I the Lord do not change." It’s a comfort to the soul, knowing that in a life filled with uncertainty, there is an anchor that never moves.
The repeated, stuttered phrase "J-J-J Jesus" isn't merely a catchphrase; it's a defiant and joyful proclamation that encapsulates the entirety of the artist's mission. It underscores the unchanging nature of Christ, a truth beautifully articulated in Hebrews 13:8: "Jesus Christ is the same yesterday and today and forever." KJ-52 isn't just saying Jesus is *a part* of his music; he's declaring Jesus *is* the central, unwavering theme, the source, and the substance. This isn't just a lyrical statement; it's a theological one, reminding us that the core of our faith, the very foundation of hope, rests solely on Him. In a world constantly seeking novelty and quick fixes, the song reorients our gaze to the timeless truth that offers eternal significance.
Furthermore, the lines "Nothin else, J-J-J uh J-J uh Jesus. Uh. And I don't care what you say its still just, J-J-J Jesus, Don't cha ever forget that" boldly affirm the exclusivity and supreme authority of Christ. This isn't a suggestion; it's a conviction. It echoes the powerful declaration found in Acts 4:12, "Salvation is found in no one else, for there is no other name under heaven given to mankind by which we must be saved." KJ-52 isn't shying away from a potentially unpopular truth; he's embracing it with confidence, inviting others to recognize this singular source of truth and life. It serves as a stirring call for believers to remain firm in their faith, unapologetically proclaiming the name above all names, regardless of societal pressure or differing opinions.
Finally, the insistence on "Still every day, still just, J-J-J Jesus" moves beyond a theological statement to a call for daily devotion and consistent focus. It reminds us that faith in Jesus isn't a one-time event but a continuous journey, an everyday reality. This sentiment aligns with Colossians 3:17, which urges us, "And whatever you do, whether in word or deed, do it all in the name of the Lord Jesus, giving thanks to God the Father through him." "Welcome to Five Two's" is more than an album intro; it’s a profound spiritual declaration, a reminder that at the core of all Christian artistry and life itself, Jesus remains the undisputed, unchanging, and absolute focus. It's an inspiring call to anchor our lives in the eternal, finding true nourishment and purpose not in fleeting desires, but in the unwavering presence of Christ.