Grits - Lil' Man Intro Lyrics
Lyrics
Yes, Ladies and Gentlemen, I'm proud to announce the arrive of Grits' Grammatical Revolution in the Spirit, starting with a heady experience.
1, 2, check,
1, 2,
1, 2, check,
1, 2,
This is my first rap,
1, 2, check,
1, 2,
1, 2, check,
1, 2.
Stop the holes,
It's gonna be dope.
Video
Ellie's Supermarket Adventure for Fruits and Vegetables
Meaning & Inspiration
When I sit down to map out a service, I’m always looking for that tension between the art of the thing and the weight of the message. It’s a constant friction. If we get too caught up in the craft—the rhythm, the flow, the "check-check" of the setup—we risk losing the congregation in the architecture of our own cleverness.
Grits start Grammatical Revolution with that exact pre-show nervous energy. It’s raw, it’s unvarnished, and it feels like they are clearing their throats before saying something heavy. When they drop the line, "Stop the holes," it catches me off guard every time. In a world where we are constantly bleeding out our focus on a thousand distractions, the call to plug the leaks, to seal the gaps in our own spiritual foundation, is vital. It’s an urgent directive.
As a builder of these moments, I look for the "Landing." Where do we want the people to stand once the music fades? If the song is just a display of skill, the landing is thin air. But here, there’s a nod toward something higher—a "revolution in the Spirit." It reminds me of Paul’s instruction in Ephesians 4:29, about letting no corrupting talk come out of your mouths, but only such as is good for building up. Grits are treating the microphone as a stewardship. They aren't just filling space; they are trying to fix the cracks.
But here is where the uncertainty hits me: Is this a liturgy? Is it a confession? There’s a risk in "dope" music, a temptation to lean into the swagger of the artist rather than the surrender of the believer. When I hear that intro, I’m pulled between wanting to move with the beat and wanting to ensure the cross is the anchor.
It’s easy to get lost in the "me-centered" maze of performance—to make the set about our presence, our excellence, or our "heady experience." I have to ask myself, every single Sunday, if the people are leaving with a song of praise in their lungs or just an appreciation for the rhythm of the room.
Sometimes, the most honest worship doesn't look like a hymn. It looks like someone trying to get their footing, trying to clear away the static of the world so they can finally speak something true. Grits aren't offering a polished ritual here; they’re offering a beginning. And maybe that’s enough. We don't always need a perfect resolution. Sometimes we just need to stop the holes, check the connection, and wait for the Spirit to take over where our best lines fail. The revolution isn't in the rap; it’s in what happens after the mic check, when the real work of living out the faith actually starts.