Elevation Rhythm - Over & Over Lyrics

Lyrics

Holy

That's who You are

Angels

And earth sing a song for Your

Honor

Cus power belongs to You

Power belongs to You

 

I could never grow tired

Of telling You You're worthy

There's so many ways I, could sing of Your glory

I will never get tired

Of telling You You're worthy

Over and over again

 

Always

Now and forever You're

Matchless

Clothed in the colors of

Heaven

No eye has ever seen

All You are

 

Singing Holy Holy

To my One and Only

Who is like our God

Let our hearts adore You

As we bow before You

There's no one like our God

 

Over and over again

Over and over again

Over and over again

Over and over again


Written by Joshua Holiday, Davide Mutendji, Tiffany Hudson

Video

Over & Over | ELEVATION RHYTHM

Thumbnail for Over & Over video

Meaning & Inspiration

"Clothed in the colors of heaven."

I keep tripping over that line from Elevation Rhythm. It’s such a bizarre, sensory demand. We usually talk about God in terms of light, glory, or intangible brilliance—things that defy the eye. But "colors"? That implies a spectrum. It implies texture. It suggests that if we could actually look, we wouldn’t just see a blinding white void; we’d see something complex, something that fits into a visual reality we aren’t currently equipped to process.

There is a massive tension here. In Exodus 33, Moses asks to see God’s glory, and God tells him, "You cannot see my face, for man shall not see me and live." Yet, these lyrics invite us to picture a God who has a wardrobe, a palette, a visual identity that remains hidden behind a veil of our own biology. "No eye has ever seen / All You are."

Is it a cliché to describe the divine as invisible? Maybe. But to call Him "clothed in the colors of heaven" feels like a desperate attempt to humanize the infinite. It’s as if the songwriters are trying to paint a portrait of someone who refuses to sit for one. They are reaching for a vocabulary that doesn't exist yet. It makes me wonder if our worship is often just a collection of these color swatches—attempts to describe a sunset we’re looking at through a frosted window.

When you sing it, the music moves fast, pushing you forward, but the words demand a pause that the melody won't give you. "Clothed." It sounds so fragile. It sounds like something that could be taken off or changed, which is the antithesis of the "Matchless" description that precedes it.

Scripture gives us a different kind of imagery in Revelation, where John describes emerald rainbows and jasper, but even there, it feels like the human writer is hitting a wall, grabbing whatever stones and hues he knows to try and explain something that’s effectively unexplainable.

Maybe that’s the point. We are stuck in a loop of "Over and over again," repeating the same declarations because we are trying to fill the gap between what we know and what we see. We are trying to label colors we’ve never actually looked at. It feels a bit like a toddler trying to describe the Grand Canyon. You use the words you have, even if they’re wildly inadequate.

It leaves me feeling uneasy. Are we actually praising the God of the Bible, or are we just praising our own ability to invent metaphors for Him? Maybe both. There’s a certain humility in the repetition, a recognition that if we stop singing, we might have to admit that we don’t have any idea what those "colors" actually look like. We just keep singing, hoping that if we describe Him long enough, the picture will finally snap into focus.

Loading...
In Queue
View Lyrics