David Leonard - Good Lord Lyrics

Album: Good Lord - Single
Released: 16 Sep 2022
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Lyrics

When I look back I can see that 

It’s You who met my needs, every time 

Every moment, You were holding 

Even smallest details of my life 

I can testify 

  

Oh You never let me down 

So I know You won’t start now 

  

I may not know what tomorrow holds 

But I know one thing for sure 

Good Lord, I got a good Lord 

Every day, every step of the way it’s You who opened the door 

Good Lord, I got a good Lord 

Good Lord, I got a good good Lord 

  

It’s still amazing, how You saved me 

How You took a million wrongs and made them right 

And it’s crazy how you raised me from six feet under shame, 

Back to life 

I gotta testify 

   

God is good, all the time 

All the time, God is good 

God is good, all the time, all the time, all the time 


Songwriters: David Leonard, Mia Fieldes, Jamie MacDonald

David Leonard - Good Lord (Official Music Video)

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David Leonard - Good Lord (Official Music Video)

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Meaning & Inspiration

"Six feet under shame."

David Leonard drops that line right in the middle of the track, and it acts as a jagged, arresting image. Usually, when we talk about being buried, we’re talking about death—the literal, cold, final kind. But Leonard pivots the metaphor to "shame."

This is where the poetry gets uncomfortable. If you’re six feet under, you’re supposed to be unreachable. You’re under the weight of dirt and history, out of sight and out of oxygen. To be "raised" from that place is a violent, miraculous sort of resurrection. But the tension here is in the survival. When you’re buried in shame, you’re not dead; you’re just incapacitated, suffocating in a tomb of your own making or someone else’s projection. You are literally present but functionally erased.

It brings to mind Ezekiel 37, where the dry bones are gathered and knit back together. We often treat the "valley of dry bones" as a metaphor for external defeat, but Leonard is pointing to the internal atrophy. Shame is the dirt that packs tight around your lungs until you stop breathing. When he claims he was raised from that, he isn’t talking about a generic "bad time." He’s talking about a place where light couldn't reach him.

The phrase feels almost too visceral for the light, upbeat tempo of the track. You’d expect a line like that to be buried in a minor-key ballad, but Leonard leaves it sitting there, exposed. It forces a question: If you were six feet under, how did you get back to the surface? Did you climb out, or were you dragged?

Scripture speaks of Christ as the one who breaks the gates of brass and cuts the bars of iron. But the shame we carry? We often build those gates ourselves. We lay ourselves down in the grave and pull the blankets of regret over our heads. It’s a strange admission—that he was in the ground, but he was the one who had laid himself there.

There’s a weird, unresolved ache in calling God "Good Lord" immediately after describing a near-death experience with your own ego. It’s the kind of thing you say when you’re standing in the sun, squinting, still feeling the grit of the earth under your fingernails. You aren’t just saying God is good because things went right; you’re saying He’s good because He reached into a grave you dug for yourself and pulled you into the light. It’s not just relief; it’s an admission of how deep the hole actually was. That’s the part that stays with me—the realization that we are often our own gravediggers, and the only reason we're still breathing is that someone else decided we weren't finished yet.

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