B.J. Thomas - What's Forever For Lyrics
Lyrics
I've been looking at people
And how they've changed with the times
And lately all I've been seeing are people
Throwing love away and losing their minds
And maybe it's me that's gone crazy
'Cause I can't understand why
All these lovers keep hurting each other
When good love is so hard to come by
So what's the glory in living
Doesn't anybody stay together anymore
And if love never
Lasts forever tell me
What's forever for
I've been listening to people
And they say love is the key
And it's not my way
To let them lead me astray
It's only that I want to believe
But I've seen love hungry people
Trying their best to survive
While in their hand
Is a dying romance
And their not ever trying to keep it alive
So what's the glory in living
Doesn't anybody stay together anymore
And if love never
Lasts forever tell me
What's forever for
So what's the glory in living
Doesn't anybody stay together anymore
And if love never
Lasts forever tell me
What's forever for
Video
What's forever for lyrics - Michael Murphy
Meaning & Inspiration
The existential ache in B.J. Thomas’s voice here—it’s not a show. When he asks, "If love never lasts forever, tell me, what’s forever for?" he isn't just venting about a failed relationship. He’s exposing the vertigo we all feel when we realize the things we build with our own hands eventually turn to dust.
From a liturgical standpoint, this is a dangerous question to sing in a room full of people. If I put this on a set list, I’m not looking for a performance; I’m looking for an interrogation. Most congregational music today is obsessed with affirming our own happiness or declaring our personal strength. We build "me-centered" bunkers of assurance. But Thomas brings us to the edge of the void. He observes a world "throwing love away," and he’s honest enough to admit, "Maybe it’s me that’s gone crazy."
That’s the exact place the psalmist often sits—the space where the logic of the world fails to align with the promises of God. Think of Ecclesiastes. Solomon looked at the vanity of life, the pursuit of love, the striving after wind, and he felt that same confusion. The "glory in living" becomes a ghost if our version of love is just a commodity that expires when the weather changes.
When B.J. sings about "love hungry people" clutching a "dying romance," he’s describing the human condition without a North Star. We reach for permanence in a world governed by decay. The tragedy is that we often try to force our finite, broken human love to do the work that only the infinite can do. We expect our spouses, our friends, and our neighbors to be our "forever," and when they inevitably fail to hold that weight, we lose our minds, just like the lyrics suggest.
The landing here is uncomfortable, and that’s why I like it. If we stop the music right after that final question, there is an eerie silence. It’s an open wound. It forces the listener to realize that if "forever" is just a human construct, we are indeed lost. It points us—not by way of a pat answer, but by way of a desperate need—to the only One who actually offers something that lasts.
Is the path to the Cross clear? No. It’s a maze. But sometimes, a maze is exactly what a congregation needs. Sometimes we need to stand in the realization that our attempts to manufacture forever are failing, so that we can finally look at the nail-scarred hands of Christ and realize He is the only one who didn’t throw love away. He is the only one who actually stayed.
We don't need another song that tells us how great we are at loving. We need a song that admits how impossible it is to love well in a dying world, so we can finally stop leaning on our own "forever" and start leaning on His.