Sarah Fuller Flower Adams 22 February 1805 – 14 August 1848) was an English poet, best known for writing the words of the hymn "Nearer, My God, to Thee".


Early years and education


Sarah Fuller Flower was born 22 February 1805, at Old Harlow, Essex, and baptised in September 1806 at the Water Lane Independent Chapel in Bishops Stortford. She was the younger daughter of the radical editor Benjamin Flower, and his wife Eliza Gould. Her father's mother Martha, sister of the wealthy bankers William Fuller and Richard Fuller, had died the month before Sarah's birth. Her elder sister was the composer Eliza Flower. Her uncles included Richard Flower, who emigrated to the United States in 1822 and was a founder of the town of Albion, Illinois; and the nonconformist minister John Clayton. Her mother died when she was only five years old and initially her father, a liberal in politics and religion, brought the daughters up, taking a hand in their education. The family moved to Dalston in Middlesex, where they met the writer Harriet Martineau, who was struck by the two sisters and used them for her novel “Deerbrook”. In 1823, on a holiday in Scotland with friends of the radical preacher William Johnson Fox, the minister of South Place Unitarian Chapel, London, who was a frequent visitor to their home, Sarah broke the female record for climbing up Ben Lomond. Back home, the girls became friends with the young poet Robert Browning, who discussed his religious doubts with Sarah.


Career


After the father's death, about 1825, the sisters became members of the Fox household. Both sisters began literary pursuits, and Sarah first fell ill with what became tuberculosis. Soon after, the sisters moved to Upper Clapton, a suburb of London. They attached themselves to the religious society worshipping in South Place, Finsbury, under the pastoral care of Fox. He encouraged and sympathized with the sisters, and they in turn helped him in his work. Eliza, the elder, devoted herself to enriching the musical part of the Chapel service, while Adams contributed hymns. Fox was one of the founders of the Westminster Review. and his Unitarian magazine, the Monthly Repository, printed essays, poems and stories by William Bridges Adams, polemicist and railway engineer, who Sarah met at the house of her friend, the feminist philosopher Harriet Taylor Mill. The two married in 1834, setting up house at Loughton in Essex. In 1837, he distinguished himself as the author of an elaborate volume on English Pleasure Carriages, and another on The Construction of Common Roads and Railroads. He was also a contributor to some of the principal reviews and newspapers. Encouraged by her husband, Adams turned to acting and in the 1837 season at Richmond played Lady Macbeth, followed by Portia and Lady Teazle, all successes. Though offered a role at Bath, then a springboard for the West End, her health broke down and she returned to literature. In 1841, she published her longest work, Vivia Perpetua, A Dramatic Poem. In it, a young wife who refuses to submit to male control and renounce her Christian beliefs is put to death. She contributed to the Westminster Review, including a critique of Elizabeth Barrett Browning's poetry, and wrote political verses, some for the Anti-Corn Law League. Her work often advocated equal treatment for women and for the working class. At the solicitation of her pastor, she also contributed thirteen hymns to the compilation prepared by him for the use of his chapel, published 1840-41, in two parts, six in the first and seven in the second part. Of these, the two best known —" Nearer, my God! to Thee," and "He sendeth sun, he sendeth shower"— are in the second part. For this work, her sister, Eliza, wrote sixty-two tunes. Her only other publication, a catechism for children, entitled "The Flock at the Fountain," appeared in 1845. Her hymn, "Nearer, my God! to Thee", was introduced to American Christians in the "Service Book," published (1844) by Rev. James Freeman Clarke, D.D., of Boston, Massachusetts, from where it was soon transferred to other collections. A selection of hymns she wrote, published by Fox, included her best-known piece, "Nearer, My God, to Thee", reportedly played by the band as the RMS Titanic sank in 1912.


Personal life


A Unitarian in belief, her career was hampered by deafness she had inherited from her father and, inheriting their mother's feebleness, both sisters yielded to disease in middle age. Eliza, after a lingering illness, died in December 1846 and, worn down by caring for her invalid sister, Sarah's health gradually declined. She died on 14 August 1848 at the age of 43 and was buried beside her sister and parents in the Forest Street cemetery near Harlow. At her grave was sung the only other hymn of hers which was widely known, “He sendeth sun, he sendeth shower”. A blue plaque honouring the husband and wife was placed at their Loughton home: they had no children. Richard Garnett wrote of her:— "All who knew Mrs. Adams personally speak of her with enthusiasm; she is described as a woman of singular beauty and attractiveness, delicate and truly feminine, high-minded, and in her days of health playful and high-spirited."[1]


 

Nearer my God to Thee Nearer my God to Thee - Sarah F. Adams

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Albums & Songs

  • Quel Temps fait-il à Paris ? (feat. George Robert & Saxophone)
  • Swing Concerto
  • The Windmills of your Mind (feat. George Robert & Saxophone)
  • A Day in Paris (feat. George Robert & Saxophone)
  • Le Boeuf sur le Toit
  • Un Été 42 - The Summer Knows (feat. George Robert & Saxophone)
  • April in Paris (feat. George Robert & Saxophone)
  • Suite Dansante en Jazz : Stomp
  • Suite Dansante en Jazz : Strait
  • Suite Dansante en Jazz : Waltz
  • Suite Dansante en Jazz : Tango
  • Suite Dansante en Jazz : Slow
  • Suite Dansante en Jazz : Foxtrot
  • La Belle Vie - The Good Life (feat. George Robert & Saxophone)
  • La Mer (feat. George Robert & Saxophone)
  • Nostágico
  • La Cumparsita
  • Río Seña
  • A Fuego Lento
  • Adiós Palomita
  • Don Agustín Bardi
  • Bando
  • Bien Marcado
  • Forestal
  • Los Mareados
  • Poema Valseado
  • Recuerdo
  • Coral
  • Romance de Barrío
  • Uno
  • Payadora
  • Flores Negras
  • Severina
  • Flor de Lino
  • Contrabajíssimo
  • As Time Goes By (From "Casablanca")
  • The Godfather Waltz (From "the Godfather")
  • Theme from "Schindler's List"
  • Weep You No More Sad Fountains (From "Sense and Sensibility")
  • My Heart Will Go On (From "Titanic")
  • A Man and a Woman (From "a Man and a Woman")
  • Moon River (From "Breakfast At Tiffany's")
  • Finale from "Once Upon a Time In the West"
  • Manha de Carnaval (From "Black Orpheus")
  • Smile (From "Modern Times")
  • Over the Rainbow (From "Wizard of Oz")
  • How Is the Weather In Paris (Quel temps fait-il à Paris) [From "Monsieur Hulot's Holiday"]
  • La Strada (From "La Strada")
  • Falling In Love Again (From "the Blue Angel")
  • Zorba's Dance (From "Zorba the Greek")
  • Titanic Medley: Never an Absolution / Take Her to Sea, Mr. Murdoch / Hymn to the Sea
  • Comic Cake Walk
  • Destiny
  • El Capitán
  • None But the Lonely Heart
  • Molly On the Shore
  • Cavalleria rusticana: Intermezzo (Arr. I Salonisti)
  • Lysistrata: Glühwürmchen-Idyll (Arr. I Salonisti)
  • Schwanengesang, D. 957: Ständchen (Arr. I Salonisti)
  • Elite Syncopations
  • Wiener Blut
  • Cavatina
  • Everbody's Doing It Now
  • Humoresque in G-Flat Major
  • "Pomp and Circumstance" March No. 1
  • Nearer My God to Thee
  • Melodie In F; Op. 3
  • Serenata
  • Noce Villageoise (aus "Impressions de Çampagne")
  • La Fille Aux Cheveux de Lin
  • La Plus Que Lente (Valse)
  • Intermezzo from "Çavalleria Rustiçana"
  • Humoreske; Op. 101 No. 7
  • Valse Triste (from Kuolema, Op. 44)
  • L'heure espagnole
  • Syncopation
  • Spanish Dances; Op. 12 - No. 1: Moderato, No. 2: Con spirito, Bolero
  • Blumengeflüster
  • Petite Marche Viennoise
  • Gebet Einer Jungfrau
  • Csardas
  • Le Salon Américain: Girl Crazy
  • Le Salon Américain: Manha de Carnaval
  • Le Salon Américain: Fon-Fon
  • Le Salon Américain: Desafinado
  • Le Salon Américain: Send in the Clowns
  • Le Salon Américain: America
  • Le Nouveau Salon: Rosenkavalier-Walzerfolge
  • Le Nouveau Salon: La glace, la grêle et la neige
  • Le Nouveau Salon: Seufzer-Galopp
  • Le Nouveau Salon: Alle Englein lachen
  • Le Nouveau Salon: Avant de mourir
  • Le Gala Boulanger: Spanischer Zigeunertanz
  • Le Gala Boulanger: Avant de mourir
  • Le Gala Boulanger: Mariska ("Hör ich Cymbalklänge")
  • Le Gala Boulanger: Blauer Himmel
  • Le Gala Boulanger: Extase
  • Le Gala Boulanger: Neapolitanisches Ständchen
  • Le Gala Boulanger: Majarska
  • Le Gala Boulanger: Tango Torero
  • Comme çi, comme ça (Arr. Mondvay)
  • Marche miniature viennoise (Arr. Mondvay)
  • Madrigal (Arr. Mondvay)
  • Tambourin chinois (Arr. Mondvay)
  • Vocalise, Op. 34, No. 14 (Arr. Mondvay)
  • Roumanian Rhapsody in D Major, Op. 11, No. 2 (Arr. Mondvay)
  • The Birds, P. 154: I. Prelude (Arr. Mondvay)
  • Serenata
  • The Love for Three Oranges (Suite), Op. 33bisb: III. March (Arr. Mondvay)
  • Lullaby for String Orchestra (Arr. Mondvay)
  • Fon-Fon (Arr. Mortimer)
  • Contrabajissimo
  • Brazilian Dance (Arr. Mondvay)
  • La Catrera (Arr. Daluisio)
  • Por Favor (Arr. Körmendi)
  • Estrellita (Arr. Mondvay)
  • 3 Brazilian Sketches: No. 1, Saudade
  • 3 Brazilian Sketches: No. 2, Carioca Linda
  • 3 Brazilian Sketches: No. 3, Carnaval
  • Nove de Julho (Arr. Mortimer)
  • A Felicidade (Arr. Mondvay)
  • Le boeuf sur le toit, Op. 58: Tango des Fratellini (Arr. Mondvay)
  • Bachianas Brasileiras No. 4: Aria (Arr. Mondvay)
  • Tico, Tico (Arr. Körmendi)
  • Milonga (Arr. Mondvay)
  • Valse fanée
  • Jalousie (Arr. Wolf)
  • Samba de una nota sò (Arr. Mortimer)
  • Manha de Carnaval (Arr. Körmendi)
  • Maria de Buenos Aires: 1. Contramilonga alla funerala
  • Maria de Buenos Aires: 4. Allegro tangabile
  • Hora staccato (Arr. Mondvay)
  • Love Song (Arr. Mondvay)
  • 3 Hungarian Rural Dances: No. 1, Róka-Tánc (Fox Dance)
  • 3 Hungarian Rural Dances: No. 2, Marrosszéki Keringös (Spinning Dance)
  • 3 Hungarian Rural Dances: No. 3, Csürdöngölö (Stamping Dance)
  • Romanian Folk Themes, for Cimbalon, Viola and Bass
  • Hungarian Dance No. 19 in B Minor, WoO 1 No. 19 (Arr. Heyland)
  • Hungarian Dance No. 17 in F-Sharp Minor, WoO 1 No. 17 (Arr. Heyland)
  • Dances from Szék (Arr. Gulyas & Möndvay)
  • Hungarian Sketches, Sz. 97: No. 1, An Evening in the Village
  • Hungarian Sketches, Sz. 97: No. 5, Swineherd's Dance
  • Gypsy Caprice (Arr. Mondvay)
  • Poor am I (Trad.)
  • Hungarian Folk Themes for Cimbalon, Viola and Bass
  • Fantasia on Hungarian Folk Themes (Arr. Mondvay)
  • Gypsy Songs and Dances (Arr. Grabócz & Mondvay)
  • Édesanyám (Arr. Mondvay)
  • Giocorlia (Arr. Mondvay)
  • Ruthenian Folk Dance (Arr. Mondvay)
  • Black Eyes (Arr. Mondvay)
  • Sorochintsy Fair: Gopak (Arr. Mondvay)
  • Melodies from Russian Films (Arr. Körmendi)
  • The Golden Age: Polka (Arr. Mondvay)
  • Sonja (Arr. Uhl)
  • Slavonic Rhapsody No. 2, Op. 269
  • Moscow Nights (Arr. Mondvay)
  • Gopak (Arr. Mondvay)
  • Two Guitars (Arr. Ferraris)
  • Russian Folk Tunes
  • Tanja
  • Tango (Arr. Mondvay)
  • The Nightingale (Arr. Mondvay)
  • Gayaneh: Sabre Dance (Arr. Mondvay)
  • Excerpts (from "Suite Transatlantique" [Arr. Mortimer]
  • Chanson de Nuit, Op. 15, No. 1 (Arr. Mondvay)
  • Chanson de Matin, Op. 15, No. 2 (Arr. Mondvay)
  • Walt Disney Pot-Pourri (Arr. Balassa)
  • La belle excentrique: I. Grande Ritournelle (Arr. Mondvay)
  • La belle excentrique: III. Valse du mystérieux baiser dans l'œil (Arr. Mondvay)
  • La belle excentrique: IV. Cancan Grand-Mondain (Arr. Mondvay)
  • Pavane, Op. 50 (Arr. Mondvay)
  • Holiday for Strings (Arr. Körmendi)
  • Gershwin Medley (Arr. Mondvay)
  • Salut d'amour, Op. 12 (Arr. Artok)
  • Music from "The Wizard of Oz" (Arr. Mondvay)
  • Send in the Clowns (Arr. Körmendi)
  • Take Five (Arr. Mondvay)
  • Music from the films of Federico Fellini: La strada, Boccaccio, Amarcord, 8½
  • Romanesca
  • Soirées musicales: No. 8, La danza (Arr. Zeitlberger)
  • Méditation de Thaïs
  • Children's Corner, L. 113: 6. Golliwog's Cakewalk (Arr. I Salonisti)
  • Suite bergamasque, L. 75: 3. Clair de lune (Arr. I Salonisti)
  • Wien bleibt Wien (Arr. Salabert)
  • Mein Liebeslied muss ein Walzer sein
  • The Old Refrain
  • Polichinelle (Sérénade)
  • Wiegenlied (from the film "The Way of all Flesh") [Arr. I Salonisti]
  • Csardas No. 2
  • Scheherazade, Op. 35: Song and Oriental Dance
  • Romanian Rhapsody in A Major, Op. 11 No. 1 (Arr. Rudd)