Al Green - Funny How Time Slips Away Lyrics
Lyrics
Well hello there
My, it's been a long time
How am I doin'
Well, I guess I'm doin' fine
It's been so long now and it seems like
It was only yesterday
Ain't it funny how time slips away
How's your new love
I hope he's doin' fine
I heard you told him
You're gonna love him till the end of time
I remember that's the same thing
That you told me yesterday
Ain't it funny how time slips away
I gotta go now
Well, I'll see you hanging round
Don't know when though
Never know when I'll be back in town
Remember what I told you
That in time you're gonna pay
Well ain't it funny how time slips away
Yeah, ain't it funny how time slips away
Video
Al Green - Funny How Time Slips Away (Official Audio)
Meaning & Inspiration
Al Green’s take on Willie Nelson’s "Funny How Time Slips Away," tucked into the 1973 Call Me album, is a masterclass in the tension between the sanctuary and the street. While it’s technically a song about a casual run-in with an ex-lover, the way Green delivers it feels like an unintended confession of a soul wrestling with the ephemeral nature of human loyalty.
When Green croons, "I hope he's doin' fine / I heard you told him / You're gonna love him till the end of time," he’s leaning into that classic Memphis soul phrasing—that stuttering, breathy delivery that blurs the lines between a lover’s quarrel and a sermon. In the church, we’re taught that God is the only One whose love endures until the "end of time" (Hebrews 13:8). But here, that phrase is weaponized as a flimsy human promise. Green isn’t just singing about a breakup; he’s pointing to the tragedy of misplaced permanence. We treat our human commitments with the weight of eternity, even when we know the history—the "same thing you told me yesterday"—proves otherwise.
As a listener, you feel that friction. The smooth, lush production pulls you into a vibe that almost masks the bite of the lyrics. It’s seductive, but then he hits you with that line: "In time you're gonna pay." That isn't a vengeful curse; it’s an observation of the law of sowing and reaping (Galatians 6:7). The song forces you to confront the reality that we spend our lives making "eternal" promises in transient settings. There’s a heaviness there that the smooth brass and rhythm section almost try to hide, but they can't quite bury it.
I’ve always wondered if the "vibe"—that quintessential 70s soul warmth—is actually a defense mechanism. We like our songs to feel good, to wrap us up in nostalgia, even when the truth of the lyrics is unsettling. Does the coolness of the track make us miss the point? Maybe. We want the rhythm, but we don't always want the reckoning.
There’s a strange, lingering discomfort in how Green handles this. He doesn't sound like a preacher in a pulpit, yet he’s speaking to a universal truth: we are terrible at managing time and even worse at managing the weight of our own promises. We say "forever" because we’re terrified of "for now." It’s unresolved. He leaves town, he moves on, and he leaves the listener with this dangling thought about the vanity of our own small, earthly timelines. It makes you wonder if we’re all just out here walking past people we once promised the world to, hoping they’re "doing fine" while we ignore the debt we’re still accruing. It’s a haunting little slice of reality that feels remarkably close to the pulpit, even if it’s playing out in a dive bar.