Israel Houghton - Come And Let Us Sing Lyrics
Lyrics
Come and let us sing
Come and let us sing
Come and let us sing
to the King of kings
Enter his gates with thanksgiving
Enter his courts with praise
He's worthy to be praised
Exalt his holy name
Glory and honor
Majesty and power
Come and let us shout
Come and let us shout
Come and let us shout
To the Lord our God
Come and let us dance
Come and let us dance
Come and let us dance
Lift up holy hands
Hallelujah Hallelujah Hallelujah
Video
Isreal & New Breed - Come and Let us Sing
Meaning & Inspiration
Released on August 22, 2009, Israel & New Breed’s "Come And Let Us Sing" immediately establishes itself not merely as a song, but as a vibrant, universal invitation to worship. More than a catchy tune, it acts as a direct, powerful call to the global church, urging active participation in acknowledging the majesty of God. The song’s message is rooted deeply in the ancient practices and divine commands of biblical worship, articulating a clear, unambiguous plea for believers to collectively turn their hearts and voices towards the divine. It’s a spiritual anthem that captures the essence of joyous reverence, beckoning all to step into the presence of the King of kings with intentional celebration.
The core meaning of "Come And Let Us Sing" is an unreserved declaration of God’s worthiness, expressed through a variety of worshipful acts. The initial, repeated exhortation to "Come and let us sing to the King of kings" sets the stage, echoing countless Psalms that invite God’s people to make a joyful noise unto the Lord (e.g., Psalm 95:1-2). This title, "King of kings," is not just poetic but profoundly theological, identifying Jesus as the ultimate sovereign over all earthly powers and dominions, as seen in Revelation 19:16 and 1 Timothy 6:15. The song then immediately shifts to a foundational biblical instruction: "Enter his gates with thanksgiving, Enter his courts with praise." This line is a direct echo of Psalm 100:4, which instructs, "Enter his gates with thanksgiving and his courts with praise; give thanks to him and bless his name." It’s a powerful reminder that our approach to God is to be characterized by gratitude and adoration, a recognition of His goodness even before we vocalize specific requests.
The song then details the profound reasons for this exuberant worship, stating "He's worthy to be praised, Exalt his holy name, Glory and honor, Majesty and power." This segment encapsulates the very essence of worship, declaring God’s inherent value and supreme attributes. Scripture consistently affirms God’s worthiness; Psalm 145:3 proclaims, "Great is the Lord and most worthy of praise; his greatness no one can fathom." To "exalt his holy name" aligns with Isaiah 2:11, which speaks of the day when "the Lord alone will be exalted." The enumeration of "Glory and honor, Majesty and power" directly mirrors descriptions of God found throughout the Bible, particularly in passages like 1 Chronicles 29:11 and Revelation 4:11, where heavenly beings ceaselessly declare, "You are worthy, our Lord and God, to receive glory and honor and power, for you created all things, and by your will they were created and have their being." These divine characteristics serve as the bedrock for all genuine praise, ensuring that our worship is not based on fleeting emotion but on the immutable character of God.
As the song progresses, it expands the scope of worship beyond mere vocalization, encouraging a full-bodied, uninhibited expression of devotion. The repeated invitation to "Come and let us shout to the Lord our God" draws from biblical precedents of shouting as a sign of victory, triumph, and overwhelming joy, as seen in Joshua 6:5 when the walls of Jericho fell, and in Psalm 47:1, which commands, "Clap your hands, all you nations; shout to God with cries of joy." This is followed by a call to "Come and let us dance... Lift up holy hands." Dancing before the Lord is an ancient and powerful form of worship, exemplified by King David’s spirited dance before the ark of the Covenant in 2 Samuel 6:14, and encouraged in Psalm 149:3. Lifting hands is another consistent posture of prayer, surrender, and adoration throughout Scripture (e.g., Psalm 134:2, 1 Timothy 2:8). The emphasis on "holy hands" implies that the physical act should be accompanied by a life striving for righteousness, making the outward expression a true reflection of an inward commitment. The song culminates with the resounding "Hallelujah Hallelujah Hallelujah," the ultimate acclamation of praise, meaning "Praise the Lord," a term found prominently in the Psalms and extensively in Revelation (e.g., Revelation 19:1, 3, 4, 6), cementing the universal nature of this song’s call to worship.
Ultimately, "Come And Let Us Sing" is a profound biblical commentary set to music. It’s an accessible yet deeply theological composition that guides believers through a rich tapestry of worship expressions. It’s not just an encouragement to sing, but a comprehensive tutorial on approaching God—with thanksgiving, praise, exalting His name, acknowledging His glory and power, and expressing unreserved joy through shouting, dancing, and lifting holy hands. It serves as an enduring anthem, reminding every person that our response to God’s supreme worthiness should be one of complete, joyful, and multifaceted devotion, inspiring a richer, more engaged experience of communal and personal worship for generations.