Brian And Jenn Johnson - A Little Longer Lyrics
Lyrics
What can I do for You?
What can I bring to You?
What kind of song would you like me to sing?
'Cause I'll dance a dance for You
Pour out my love to You
What can I do for You beautiful king?
'Cause I... can't thank You enough.
I can't thank You enough
What can I do for You?
What can I bring to You?
What kind of song would you like me to sing?
'Cause I'll dance a dance for You
Pour out my love to You
What can I do for You beautiful king?
'Cause I... can't thank You enough.
I can't thank You enough
All of the words that I find... and I can't thank You enough.
No matter I try... I can't thank You enough.
Then I hear You sing to me
"you... don't have to do a thing
Just simply be with me and let those things go
'Cause they can wait another minute
Wait... this moment is too sweet
Would you please stay here with Me
And love on Me a little longer"
I hear You say...
"You... don't have to do a thing
Just simply be with me and let those things go
'Cause they can wait another minute
Wait... this moment is too sweet
Would you please stay here with Me
And love on Me a little longer
I'd love to be with you a little longer
'Cause I'm in love with you
Video
A Little Longer - Jenn Johnson & Bethel Music - You Make Me Brave
Meaning & Inspiration
"What can I do for You? What can I bring to You?"
It’s the classic human reflex, isn’t it? Brian and Jenn Johnson lean into that transactional anxiety we all carry. We treat God like a foreman or an HR manager, constantly worried about our output. We’re so terrified that our value is tied to our production that we ask for a to-do list just to feel secure. It’s exhausting.
But then the song shifts. The lyrics pivot from the frantic, "What kind of song would you like me to sing?" to the gentle instruction: "You don't have to do a thing. Just simply be with me."
That’s a nice sentiment. It looks great on a bumper sticker. But let’s be honest about the static in the air. When you’re staring at a severance package on your kitchen table, or sitting in a funeral home looking at an empty chair, the suggestion to "let those things go" feels almost insulting. My mortgage can’t wait. My grief is currently doing the opposite of waiting; it’s screaming. If this is just another way to tell me to turn off my brain and float away into a meditative state, I’m out. Cheap grace is easy to sell, but it doesn’t pay the bills or patch a broken heart.
Yet, if I pull back the layers of the performance—past the stage lights and the building swell of the track—I keep bumping into the idea of "be with me." It reminds me of Mary and Martha. Martha was the one doing everything, cleaning, cooking, making sure the "Beautiful King" was hosted correctly. She was the definition of productive. And Jesus tells her she missed the point. He didn’t want her labor; he wanted her presence.
There’s a tension there that I can’t quite reconcile. We are taught our whole lives that we are what we produce. If I stop moving, who am I? If I sit still, the silence gets loud. The silence is where the questions go that don't have answers.
Maybe the invitation to stay "a little longer" isn't about ignoring the mess. Maybe it’s about acknowledging that I am not the savior of my own life. If I’m honest, I’m tired of trying to bargain with God by singing songs or doing favors to earn a seat at the table. If he’s actually the one asking to be with me, then maybe my presence is the point, not my performance.
It feels fragile. It feels like letting go of a rope I’ve been holding for years. I don’t know if I fully believe that my stillness is enough for God, or if I’m just waiting for the next crisis to prove that "letting go" is a luxury I can’t afford. But for a few minutes, listening to this, I’m willing to be still enough to find out. Even if I don't know what happens when I stand back up.