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Psalms Chapter 110 verse 5 Holy Bible

ASV Psalms 110:5

The Lord at thy right hand Will strike through kings in the day of his wrath.
read chapter 110 in ASV

BBE Psalms 110:5

In the day of his wrath kings will be wounded by the Lord at your right hand.
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DARBY Psalms 110:5

The Lord at thy right hand will smite through kings in the day of his anger.
read chapter 110 in DARBY

KJV Psalms 110:5

The Lord at thy right hand shall strike through kings in the day of his wrath.
read chapter 110 in KJV

WBT Psalms 110:5

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WEB Psalms 110:5

The Lord is at your right hand. He will crush kings in the day of his wrath.
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YLT Psalms 110:5

The Lord on thy right hand smote kings In the day of His anger.
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Pulpit Commentary

Pulpit CommentaryVerse 5. - The Lord at thy right hand shall strike through kings in the day of his wrath. "Adonai" here is certainly Jehovah (Cheyne). He stands at Messiah's right hand (comp. Psalm 16:8; Psalm 121:5) to protect and defend him, and give him victory in the battle. Ver. 5 carries on the description of Messiah's triumph begun in ver. 3. The kings to be "struck through" are those that resist the progress of the gospel - Herod Agrippa, Galerius, Julian, and the like.

Ellicott's Commentary

Ellicott's Commentary for English Readers(5) The Lord at thy right hand.--We are naturally tempted to understand this as still of the king whom the first verse placed at Jehovah's right hand. But the word for Lord here is Adonai, which is nowhere else used except of God. Moreover, God throughout has as yet appeared as the active agent. It is He who stretched out the sceptre and conferred the office of priest; and hitherto the king has been the person addressed. It is therefore necessary still to consider him as addressed, and suppose that the change of position of Jehovah from the king's right hand to his left is simply due to the usage of the language. To sit at the right hand was an emblem of honour, to stand at the right hand was a figure of protecting might (Psalm 16:8; Psalm 109:31); and the imagery of a battle into which the song now plunges caused the change of expression.