Daniel Chapter 3 verse 7 Holy Bible

ASV Daniel 3:7

Therefore at that time, when all the peoples heard the sound of the cornet, flute, harp, sackbut, psaltery, and all kinds of music, all the peoples, the nations, and the languages, fell down and worshipped the golden image that Nebuchadnezzar the king had set up.
read chapter 3 in ASV

BBE Daniel 3:7

So at that time, all the people, when the sound of the horn, pipe, harp, trigon, psaltery, and all sorts of instruments, came to their ears, went down on their faces in worship before the image of gold which Nebuchadnezzar the king had put up.
read chapter 3 in BBE

DARBY Daniel 3:7

Therefore at that time when all the peoples heard the sound of the cornet, pipe, lute, sambuca, psaltery, and all kinds of music, all the peoples, the nations, and the languages fell down [and] worshipped the golden image that Nebuchadnezzar the king had set up.
read chapter 3 in DARBY

KJV Daniel 3:7

Therefore at that time, when all the people heard the sound of the cornet, flute, harp, sackbut, psaltery, and all kinds of musick, all the people, the nations, and the languages, fell down and worshipped the golden image that Nebuchadnezzar the king had set up.
read chapter 3 in KJV

WBT Daniel 3:7


read chapter 3 in WBT

WEB Daniel 3:7

Therefore at that time, when all the peoples heard the sound of the horn, flute, zither, lyre, harp, pipe, and all kinds of music, all the peoples, the nations, and the languages, fell down and worshiped the golden image that Nebuchadnezzar the king had set up.
read chapter 3 in WEB

YLT Daniel 3:7

Therefore at that time, when all the peoples are hearing the voice of the cornet, the flute, the harp, the sackbut, the psaltery, and all kinds of music, falling down are all the peoples, nations and languages, doing obeisance to the golden image that Nebuchadnezzar the king hath raised up.
read chapter 3 in YLT

Pulpit Commentary

Pulpit CommentaryVerse 7. - Therefore at that time, when all the people heard the sound of the cornet, flute, harp, sackbut, psaltery, and all kinds of music, all the people, the nations, and the languages, fell down and worshipped the golden image that Nebuchadnezzar the king had set up. The Septuagint renders, "And at that time, when all the nations (Gentiles) heard the sound of the trumpet, the pipe and harp, sackbut and psaltery, and every sound of music, then all the nations (Gentiles), tribes, and tongues, fell down and worshipped the golden image which Nebuchadnezzar the king had set up." The last words, κατέναντυ τουτοῦ evidently belong to the beginning of the next verse. It is possible ἤχου is due to another reading, but may also have been the result of a desire for variation. Theodotion does not differ from the Massoretic text The two Greek versions agree with the Massoretic in omitting συμφωνία. The rendering of the Peshitta is, "In the hour when the nations heard the voice of the horn, and flute, and lyre, (qithra), and harp (kinnor), and pipe (tziphonia), and all kinds of music, all these peoples, nations, and tongues, fell down and worshipped the golden image which Nebuchadnezzar the king had set up" It is to be noted that kinnor, its Shemitic equivalent, here again follows qithra, and that pesanterin is again omitted. Jerome, in opposition to the Massoretic and the Greek versions, inserts symphonia. In regard to the Massoretic text here, as in the fifth verse, we have qathros instead of the qithros of the K'thib; in this, the K'thib agrees, as generally, with the Eastern instead of the Western form the word assumes. Professor Bevan compares the use of כְּדִי here with that in the Palmyrene inscriptions (Vogue 15). Zemara is said by Keil to refer only to song; but Furst, Gesenius, and Wirier apply the word to instrumental music. It may, as a matter of fact, be either; if it be a chorus of voices, it is then equivalent to συμφωνία. This verse simply chronicles the obedience that was at once and unquestioningly rendered to the command of Nebuchadnezzar. The obedience of these Gentiles served to bring out into clearer relief the steadfastness of these Jews, or, what appears to the king and his courtiers, their obstinacy. Not impossibly, their resistance to the king was emphasized by their remaining standing amid the crowd of those prostrate officials.

Ellicott's Commentary