Acts Chapter 9 verse 25 Holy Bible

ASV Acts 9:25

but his disciples took him by night, and let him down through the wall, lowering him in a basket.
read chapter 9 in ASV

BBE Acts 9:25

But his disciples took him by night and let him down from the wall in a basket.
read chapter 9 in BBE

DARBY Acts 9:25

but the disciples took him by night and let him down through the wall, lowering him in a basket.
read chapter 9 in DARBY

KJV Acts 9:25

Then the disciples took him by night, and let him down by the wall in a basket.
read chapter 9 in KJV

WBT Acts 9:25


read chapter 9 in WBT

WEB Acts 9:25

but his disciples took him by night, and let him down through the wall, lowering him in a basket.
read chapter 9 in WEB

YLT Acts 9:25

and the disciples having taken him, by night did let him down by the wall, letting down in a basket.
read chapter 9 in YLT

Pulpit Commentary

Pulpit CommentaryVerse 25. - But for then, A.V.; his disciples for the disciples, A.V. and T.R.; through for by, A.V; lowering him in for in, A.V. Lowering him, etc. The A.V. gives the sense freely; and combining the verb καθῆκαν with the participle χαλάσαντες, translates both by the one word "let him down." The by of the A.V. seems preferable to the through of the R.V., as through suggests the idea, which cannot be intended, of making a hole in the wall. The escape of the spies from Jericho, as described in Joshua 2:15, was exactly in the same way, except that they had only a rope to descend by, whereas St. Paul had a rope-basket. In the description of his escape given by St. Paul to the Corinthians (2 Corinthians 11:33), he uses the same word for "let down" (ἐχαλάσθην), tells us he was let down "by the wall," R.V. διὰ τοῦ τείχους, with the additional particular that he got out through the window, διὰ θυρίδος, and that it was a σαργάνη, a basket made of ropes (which describes the kind of basket somewhat more accurately than the σπυρίς here used) in which he was let down (see note on ver. 20). The passage in 2 Corinthians gives us a further interesting account of how the Jews went about to accomplish their purpose of killing Paul. It seems that at this time, either in revolt against the Romans or by permission of Caligula (it is not known certainly which), a certain Aretas, or Hareth, King of Arabia Petrea, included Damascus in his dominions for a time, i.e. through the reigns of Caligula and Claudius. He appointed an ethnarch, who was doubtless a Jew, to rule the large Jewish population according to their Law, and who was the ready tool of the unbelieving Jews, using his power as governor to have the gates kept day and night so as to prevent Saul's escape. But he that keepeth Israel neither slumbered nor slept, and by his watchful providence Saul escaped from their hands. As regards the R.Y., his disciples for the disciples, Alford adopts the reading λαβόντες δὲ οἱ μαθηταὶ αὐτόν, and holds αὐτοῦ of the R.T. to be simply a mistake for αὐτόν, caused by the situation of αὐτόν after λαβόντες. The R.T. cannot be right. "The disciples" is St. Luke's regular expression for "Christians" (Acts 6:1, 2, 7; Acts 9:10, 19, 26; Acts 14:22; Acts 21:16), and is our Lord's name for his followers, but is never used by an apostle of his own followers (see 1 Corinthians 1:12, 13; 1 Corinthians 3:4-7).

Ellicott's Commentary

Ellicott's Commentary for English Readers(25) Let him down by the wall in a basket.--The basket is the spuris of Matthew 15:37, where see Note. In 2Corinthians 11:33 St. Paul describes it by another word (sargane), which gives the idea of a wicker or rope-work hamper. It seems to follow, from the tone in which the Apostle there speaks of this adventure, that it had been made matter of ridicule. It is connected in his thoughts with the "infirmities" (probably with his smallness of stature) of which he was content to boast. The escape was effected, like that of the spies from the house of Rahab (Joshua 2:15) and of David from his own house (1Samuel 19:11), through an opening or "window" in the town wall. Such a window is still shown in the wall of Damascus as the traditional scene of the escape.