1st Samuel Chapter 19 verse 13 Holy Bible

ASV 1stSamuel 19:13

And Michal took the teraphim, and laid it in the bed, and put a pillow of goats' `hair' at the head thereof, and covered it with the clothes.
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BBE 1stSamuel 19:13

Then Michal took the image and put it in the bed, with a cushion of goat's hair at its head, and she put clothing over it.
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DARBY 1stSamuel 19:13

And Michal took the image, and laid it in the bed, and put the net of goats' [hair] at its head, and covered it with the coverlet.
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KJV 1stSamuel 19:13

And Michal took an image, and laid it in the bed, and put a pillow of goats' hair for his bolster, and covered it with a cloth.
read chapter 19 in KJV

WBT 1stSamuel 19:13

And Michal took an image, and laid it in the bed, and put a pillow of goat's hair for his bolster, and covered it with a cloth.
read chapter 19 in WBT

WEB 1stSamuel 19:13

Michal took the teraphim, and laid it in the bed, and put a pillow of goats' [hair] at the head of it, and covered it with the clothes.
read chapter 19 in WEB

YLT 1stSamuel 19:13

and Michal taketh the teraphim, and layeth on the bed, and the mattress of goats' `hair' she hath put `for' his pillows, and covereth with a garment.
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Pulpit Commentary

Pulpit CommentaryVerse 13. - Michal took an image. Literally, "the teraphim," a plural word, but used here as a singular. Probably, like the corresponding Latin word penates, it had no singular in common use. It was a wooden block with head and shoulders roughly shaped to represent a human figure. Laban's tera-phim were so small that Rachel could hide them under the camel's furniture (Genesis 31:34), but Michal's seems to have been large enough to pass in the bed for a man. Though the worship of them is described as iniquity (1 Samuel 15:23), yet the superstitious belief that they brought good luck to the house over which they presided, in return for kind treatment, seems to have been proof against the teaching of the prophets; and Hosea describes the absence of them as on the same level as the absence of the ephod (Hosea 3:4). A pillow of goats' hair for his bolster. More correctly, "a goat's skin about its head." So the Syriac and Vulgate. The object of it, would be to look at a distance like a man s hair. The Septuagint has a goat's liver, because this was supposed to palpitate long after the animal's death, and so would produce the appearance of a person's breathing. But this involves a different reading, for which there is no authority; nor was Michal's deception intended for close observation. She would of course not let any one disturb David, and all she wanted was just enough likeness to a man to make a person at a distance suppose that David was there. Soon or later her artifice would be found out, but her husband would have had the intervening time for effecting his escape. As the word rendered pillow, and which is found only here, comes from a root signifying "to knot together," "to intertwine," some commentators think that it means a network of goats' hair, perhaps to keep off flies. But this is a mere guess, and not to be set against the combined authority of the two versions. With a cloth. Hebrew, beged. This beged was David's every day dress, and would greatly aid Michal in her pious artifice. It was a loose mantle, worn over the close-fitting meil (see 1 Samuel 2:19). Thus Ezra (Ezra 9:3, 5) says, "I rent my beged and my meil," which the A.V. with characteristic inexactness translates "my garment and my mantle." In Genesis 28:20, where it is rendered raiment, Jacob speaks of it as the most indispensable article of dress; and in Genesis 39:12, where it is rendered garment, we find that it was a loose plaid or wrapper. In those simple days it was used for warmth by night as well as for protection by day, and it is interesting to find David in his old age still covered up for warmth in bed by his beged (1 Kings 1:1), where it is translated clothes.

Ellicott's Commentary

Ellicott's Commentary for English Readers(13) An image.--An image in the Hebrew is teraphim--a plural form, but used as a singular. We have no instance of the singular. The Latin equivalent, "penates," singularly enough, is also only found in the plural form. In this case, probably, it was a life-size figure or bust. The word has been discussed above (1Samuel 15:23). It is singular how, in spite of the stern command to avoid idolatry, the children of Israel seemed to love to possess these lifeless images. The teraphim were probably a remnant of the idolatry originally brought by some of Abraham's family from their Chaldaean home. These idols, we know, varied in size, from the diminutive image which Rachel (Genesis 31:34) was able to conceal under the camel saddle to the life-size figure which the Princess Michal here used to make her father's guards believe that her sick husband, David, was in bed. They appear to have been looked on as tutelary deities, the dispensers of domestic and family good fortune. It has been suggested, with some probability, that Michal, like Rachel, kept this teraphim in secret, because of her barrenness.A pillow of goats' hair.--More accurately, a goat's skin about its head. So render the Syriac and Vulgate Versions. The reason of this act apparently was to imitate the effect of a man's hair round the teraphim's head. Its body, we read in the next clause, was covered "with a cloth." Some scholars have suggested that this goat's skin was a net-work of goat's hair to keep off the flies from the supposed sleeper. The LXX., instead of k'vir (skin), read in their Hebrew copies keaved (liver). As the vowel points were introduced much later, such a confusion (especially as the difference between d and r in Hebrew is very slight) would be likely enough to occur in the MSS.Josephus, adopting the LXX. reading, explains Michal's conduct thus--"Michal put a palpitating goat's liver into the bed, to represent a breathing sick man."With a cloth.--Heb., beged. This was David's every-day garment, which he was in the habit of wearing. This, loosely thrown over the image, would materially assist the deception. The fifty-ninth Psalm bears the following title--"A michtam(or song of deep import) of David, when Saul sent, and they watched the house to kill him." The internal evidence, however, is scarcely confirmatory of the accuracy of the title. The sacred song in question is very probably one of David's own composition, and it is likely enough that the danger he incurred on this occasion was in his mind when he wrote the solemn words; but there are references in this psalm which must apply to other events in his troubled, anxious life.