Song Of Songs Chapter 5 verse 2 Holy Bible

ASV SongOfSongs 5:2

I was asleep, but my heart waked: It is the voice of my beloved that knocketh, `saying', Open to me, my sister, my love, my dove, my undefiled; For my head is filled with dew, My locks with the drops of the night.
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BBE SongOfSongs 5:2

I am sleeping, but my heart is awake; it is the sound of my loved one at the door, saying, Be open to me, my sister, my love, my dove, my very beautiful one; my head is wet with dew, and my hair with the drops of the night.
read chapter 5 in BBE

DARBY SongOfSongs 5:2

I slept, but my heart was awake. The voice of my beloved! he knocketh: Open to me, my sister, my love, my dove, mine undefiled; For my head is filled with dew, My locks with the drops of the night.
read chapter 5 in DARBY

KJV SongOfSongs 5:2

I sleep, but my heart waketh: it is the voice of my beloved that knocketh, saying, Open to me, my sister, my love, my dove, my undefiled: for my head is filled with dew, and my locks with the drops of the night.
read chapter 5 in KJV

WBT SongOfSongs 5:2


read chapter 5 in WBT

WEB SongOfSongs 5:2

I was asleep, but my heart was awake. It is the voice of my beloved who knocks: Open to me, my sister, my love, my dove, my undefiled; For my head is filled with dew, My hair with the dampness of the night.
read chapter 5 in WEB

YLT SongOfSongs 5:2

I am sleeping, but my heart waketh: The sound of my beloved knocking! `Open to me, my sister, my friend, My dove, my perfect one, For my head is filled `with' dew, My locks `with' drops of the night.'
read chapter 5 in YLT

Pulpit Commentary

Pulpit CommentaryVerse 2-ch. 8:4. - Part IV. REMINISCENCES OF LOVE DAYS. The bridegroom rejoicing in the bride. Verse 2. - The bride's reminiscence of a love dream. I was asleep, but my heart waked, It is the voice of my beloved that knocketh, saying, Open to me, my sister, my love, my dove, my undefiled: for my head is filled with dew, my locks with the drops of the night. There is a resemblance between this account of what was apparently a dream, and that which is related in Song of Solomon 3:1-4; but the difference is very clear. In the former case the lover is represented as dismissed for a season, and then the relenting heart of the maiden sought after him and found him. In this case he "stands at the door and knocks," coming in the night; and the maiden rises to open, but finds him gone, and so is drawn after him. The second dream is much more vivid and elaborate, and seems to be an imitation and enlargement of the other, being introduced apparently more for the sake of dwelling on the attractions of the beloved one and his preciousness in the eyes of the maiden than in self-reproach. Is it not possible that the poem originally concluded at Song of Solomon 5:1 with the marriage, and that the whole of the latter half was an amplification, either by Solomon himself, the author of the first half, or by some one who has entered into the spirit of the song? This would explain the apparent repetition, with the variations. But, at all events, the second part certainly is more from the standpoint of married life than the first. Hence the bride speaks at great length, which she does not in the earlier portion. Delitzsch thinks that this second love dream is intended to represent what occurred in early married life; but there are two objections to that - first, that the place is evidently a country residence; and secondly, that such an occurrence is unsuitable to the conditions of a royal bride. It is much more natural to suppose that the bride is recalling what occurred in her dream when the lover, having been sent away until the evening, as on the former occasion, returned, and in the night knocked at the door. "My heart waked" is the same as "My mind was active." The "heart" in Hebrew is the inner man, both intellect and feeling. "I was asleep, but I was thinking" (cf. Cicero, 'De Divinatione,' 1:30). The lover has come off a long journey over the mountains, and arrives in the night time. The terms with which he appeals to his beloved are significant, denoting (1) equal rank - my sister; (2) free choice - my love; (3) purity, simplicity, and loveliness - my dove; . . .

Ellicott's Commentary

Ellicott's Commentary for English Readers(2) I sleep.--This begins the old story under an image already employed (Song of Solomon 3:1). Here it is greatly amplified and elaborated. The poet pictures his lady dreaming of him, and when he seems to visit her, anxious to admit him. But, as is so common in dreams, at first she cannot. The realities which had hindered their union reappear in the fancies of sleep. Then, when the seeming hindrance is withdrawn, she finds him gone, and, as before, searches for him in vain. This gives opportunity to introduce the description of the charms of the lost lover, and so the end of the piece, the union of the pair, is delayed to Song of Solomon 6:3.My head is filled with dew.--Anacreon, iii. 10 is often compared to this."' Fear not,' said he, with piteous din,'Pray ope the door and let me in.A poor unshelter'd boy am I,For help who knows not where to fly:Lost in the dark, and with the dews,All cold and wet, that midnight brews.'" . . .