Song Of Songs Chapter 1 verse 5 Holy Bible
I am black, but comely, Oh ye daughters of Jerusalem, As the tents of Kedar, As the curtains of Solomon.
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I am dark, but fair of form, O daughters of Jerusalem, as the tents of Kedar, as the curtains of Solomon.
read chapter 1 in BBE
I am black, but comely, daughters of Jerusalem, As the tents of Kedar, As the curtains of Solomon.
read chapter 1 in DARBY
I am black, but comely, O ye daughters of Jerusalem, as the tents of Kedar, as the curtains of Solomon.
read chapter 1 in KJV
read chapter 1 in WBT
I am dark, but lovely, You daughters of Jerusalem, Like Kedar's tents, Like Solomon's curtains.
read chapter 1 in WEB
Dark `am' I, and comely, daughters of Jerusalem, As tents of Kedar, as curtains of Solomon.
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Pulpit Commentary
Pulpit CommentaryVerse 5. - I am black, but comely, O ye daughters of Jerusalem, as the tents of Kedar, as the curtains of Solomon. The word "black" (שְׁחורָה) does not necessarily mean that the skin is black, but rather sunburnt, dark brown, as in Lamentations 4:8, where the same word signifies the livid or swarthy appearance of one who has suffered long from famine and wretchedness. There is certainly no reason to take the word as an argument for the bride being Pharaoh's daughter; but it points to what is confirmed by the rest of the poem - the rustic birth and northern blood of the bride. She has been living in the fields, and is browned with the ruddy health of a country life. The best explanation of the words is that they are drawn out by the fact that the bride is surrounded by her ladies. Some think that they look askance at her, or with indignation at the boldness of her words; but that is quite unnecessary, and would be inconsistent with the dignity of the bride. The country maiden feels the greatness of the honour, that she is chosen of the king, and with simple modesty, in the presence of courtly ladies around her, sets forth her claim. The simile is not uncommon in poetry, as in Theocritus and Virgil. Comely; i.e. attractive, agreeable. Kedar (whether from the Arabic, meaning "powerful," or from the Hebrew, "black") designates the tribes of the North Arabian descendants of Ishmael (Genesis 25:13; Isaiah 21:17), Kedareens, referred to by Pliny, and remaining in Arabia until the time of the Mohammedans. The Bedouin still calls his tent his "hair house;" it is covered with goat's-hair cloth, mostly black or grey. Whether the reference is to the colour of the goat's hair or to the tents being browned or blackened by the heat of the sun, we cannot doubt that the allusion is to the complexion, and the rest of the simile would then be applicable to the lovely shape and features of the maiden, the curtains of Solomon being the curtains of a pavilion, or pleasure tent, spread out like "a shining butterfly," i.e. the beautiful cloth or tapestry which formed the sides of the tent or the tent coverings, the clothing of the framework, or tent hangings (see Isaiah 54:2; Exodus 26:36; 2 Samuel 7; 1 Chronicles 17:1, etc.). Egyptian hangings were particularly prized. The custom prevailed among Eastern monarchs of sojourning once in the year in some lovely rural district, and at such times their tents would be very magnificent. The LXX. has, ὡς δεῥῤείς Σολομὼν, "as the skins of Solomon;" but this is a mistake. The word is derived from a root "to tremble," i.e. "to glitter in the sun." Those who desire to find an allegorical interpretation think there is an evident allusion here to the sojourn of Israel in the wilderness, or the admission of the Gentiles into the covenant; but there is no reason for any such strain upon the meaning. The simile is merely poetical. The soul realizes its own acceptance before God, but ascribes that acceptance to his grace. "The bride, the Lamb's wife," sees the beauty of the Lord reflected in herself, and rejoices in her own attractions for his sake. There is no immodesty in the consciousness of merit so long as that merit is ascribed to him from whom it comes. There is often more pride in the assumption of humility than in the claim to be acknowledged. The same apostle who declared himself less than the least of all saints also maintained that he was not a whit behind the very chiefest apostles.
Ellicott's Commentary
Ellicott's Commentary for English Readers(5) As the tents of Kedar--i.e., Dark as the Kedareen tents of black goats' hair, beautiful as the royal pavilions with their rich hangings. For a similar style of parallelism, comp. Isaiah 15:3 : "On her housetops, and to her open streets, every one howleth, descendeth with weeping." For Kedar, see Genesis 25:13.As the poet puts this description of the lady's complexion into her own mouth, we must understand it as a little playful raillery, which is immediately redeemed by a compliment. It also prepares the way for the reminiscence of an interesting passage in her early life. See next verse.
